Abstract

This article explores the fascination of Swedish audiences with the forty-plus films based on Astrid Lindgren's children's books, Pippi Longstocking foremost among them. Following Lindgren's death in 2002, will these films continue to play a unifying function in an increasingly multicultural Sweden?

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 3-24
Launched on MUSE
2003-01-29
Open Access
No
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