Contributors
- Contributors
Unhae Langis examines Shakespeare at the interface of ethics and gender. Her articles have appeared in Literature Compass, Journal of the Wooden O Symposium, Ohio Valley Shakespeare Conference: Selected Papers, Genre: Women, Sexuality, and Early Modern Studies, among others. Forthcoming in 2011 are her book Virtue, Passion, and Moderation in Shakespearean Drama (Continuum Books) and an essay on Hamlet in Literature and Ethics: From the Green Knight to the Dark Knight (Cambridge Scholars Press). She currently teaches at Slippery Rock University near Pittsburgh, Pennsylvania.
Kenneth J. E. Graham teaches Renaissance literature at the University of Waterloo. He has published The Performance of Conviction: Plainness and Rhetoric in the Early English Renaissance (Cornell, 1994) and is completing a book on the relationship between English poetry and post-Reformation church discipline. With Philip Collington, he co-directed the Elizabethan Theatre Conference in 2005 and co-edited Shakespeare and Religious Change (Palgrave Macmillan, 2009). His work on Soyinka and Shakespeare grew out of "Shakespeare Around the Globe," a course he designed for the General Education curriculum at New Mexico State University.
Nehama Aschkenasy, Professor of Comparative Literary and Cultural Studies at the University of Connecticut, has published three books, including the award-winning and Choice Selection Eve's Journey: Feminine Images in Hebraic Literary Tradition (Wayne State University Press, 1994), numerous book chapters and articles, and a collection of essays for AJS Review. She has served as Associate Editor of the AJS Review, and on the Editorial Board of MLS and, currently, of JMJS. Her research interests include the reappearance of biblical prototypes in world literature. [End Page 99]
Hsin-yun Ou received her PhD in Drama and Theater from Royal Holloway College, University of London, and her MPhil in English (Shakespeare and Drama to 1640) from the University of Oxford. Currently an Assistant Professor in the Department of Western Languages and Literature at the National University of Kaohsiung, Taiwan, she is researching eighteenth- and nineteenth-century British and American theaters in relation to Orientalism and gender studies. [End Page 100]
