-
Books Received
- Camera Obscura
- Duke University Press
- 51 (Volume 17, Number 3), 2002
- pp. 180-181
- Article
- Additional Information
Camera Obscura 17.3 (2002) 180-182
[Access article in PDF]
Books Received
Adams, Rachel. Sideshow U.S.A.: Freaks and the American Cultural Imagination. Chicago: University of Chicago Press, 2001.
Aitken, Ian. European Film Theory and Cinema: A Critical Introduction. Bloomington: Indiana University Press, 2001.
Cheng, Meiling. In Other Los Angeleses: Multicentric Performance Art.
Los Angeles: University of California Press, 2002.
Cohan, Steven, ed. Hollywood Musicals: The Film Reader. New York: Routledge, 2002.
Creeber, Glen, ed. The Television Genre Book. London: British Film Institute, 2001.
Edgerton, Gary, and Peter C. Rollins, eds. Television Histories: Shaping Collective Memory in the Media Age. Lexington: University Press of Kentucky, 2001.
Estrin, Mark W., ed. Orson Welles: Interviews. Jackson: University of Mississippi Press, 2002.
Eyles, Allen. Odeon Cinemas 1: Oscar Deutsch Entertains Our Nation. London: British Film Institute, 2002.
Fawal, Ibrahim. Youssef Chahine. London: British Film Institute, 2001.
Fusco, Coco. The Bodies That Were Not Ours and Other Writings. New York: Routledge, 2001.
Gittings, Christopher. Canadian National Cinema. New York: Routledge, 2002.
Griffin, Susan M., ed. Henry James Goes to the Movies. Lexington: University Press of Kentucky, 2002.
Guerrero, Ed. Do the Right Thing. London: British Film Institute, 2001.
Hake, Sabine. Popular Cinema of the Third Reich. Austin: University of Texas Press, 2001.
Hark, Ina Rae, ed. Exhibition: The Film Reader. New York: Routledge, 2002.
Holmlund, Chris. Impossible Bodies: Femininity and Masculinity at the Movies. New York: Routledge, 2002.
James, David E., and Kyung Hyun Kim, eds. Im Kwon-Taek: The Making of Korean National Cinema. Detroit, MI: Wayne State University Press, 2002.
Jancovich, Mark, ed. Horror: The Film Reader. New York: Routledge, 2002.
Leff, Leonard J., and Jerold L. Simmons. Dame in the Kimono: Hollywood, Censorship, and the Production Code. 2d ed. Lexington: University Press of Kentucky, 2001.
Le Grice, Malcom. Experimental Cinema in the Digital Age. London: British Film Institute, 2001.
Marin, Louis. On Representation. Trans. Catherine Porter. Stanford, CA: Stanford University Press, 2001.
Mellen, Joan. Seven Samurai. London: British Film Institute, 2002.
Michelson, Annette, ed. Andy Warhol. Cambridge: MIT Press, 2001.
Murphy, Robert, ed. The British Cinema Book. 2d ed. London: British Film Institute, 2001.
Neville, Brian, and Johanne Villeneuve, eds. Waste-Site Stories: The Recycling of Memory. Albany: State University of New York Press, 2002.
Petro, Petrice. Aftershocks of the New: Feminism and Film History. New Brunswick, NJ: Rutgers University Press, 2002.
Polan, Dana. Jane Campion. London: British Film Institute, 2001.
Ravetto, Kriss. The Unmaking of Fascist Aesthetics. Minneapolis: University of Minnesota Press, 2001.
Sandoval-Sánchez, Alberto, and Nancy Saporta Sternbach. Stages of Life: Transcultural Perfomance and Identity in U.S. Latina Theater. Tucson: University of Arizona Press, 2001.
Sarlo, Beatrice. Scenes from Postmodern Life. Trans. Jon Beasley-Murray. Minneapolis: University of Minnesota Press, 2001.
Senie, Harriet F. The "Tilted Arc" Controversy: Dangerous Precedent? Minneapolis: University of Minnesota Press, 2002.
Singer, Beverly R. Wiping the War Paint off the Lens: Native American Film and Video. Minneapolis: University of Minnesota Press, 2001.
Smith, Murray. Trainspotting. London: British Film Institute, 2002.
Smoodin, Eric, and Ann Martin, eds. Hollywood Quarterly: Film Culture in Postwar America, 1945-1957. Berkeley: University of California Press, 2002.
Urban, Greg. Metaculture: How Culture Moves through the World. Minneapolis: University of Minnesota Press, 2001.
Usai, Paolo Cherchi, ed. The Griffith Project, Volume 5: Films Produced in 1911. London: British Film Institute, 2001.
...