- Volume 40 Table of Contents
Articles
1 | ALISON E. HURLEY A Conversation of Their Own: Watering-Place Correspondence Among the Bluestockings |
23 | JULIE PARK Pains and Pleasures of the Automaton: Frances Burney's Mechanics of Coming Out |
51 | EMMA E. PINK Frances Burney's Camilla: "to print my Grand Work . . . by subscription" |
69 | J. A. DOWNIE Who Says She's a Bourgeois Writer? Reconsidering the Social and Political Contexts of Jane Austen's Novels |
85 | SUSAN DALTON Searching for Virtue: Physiognomy, Sociability, and Taste in Isabelle Teotochi Albrizzi's Ritratti |
177 | CHRISTINA LUPTON Sincere Performances: Franklin, Tillotson, and Steele on the Plain Style |
193 | BARBARA M. BENEDICT Encounters with the Object: Advertisements, Time, and Literary Discourse in the Early Eighteenth-Century Thing-Poem |
209 | PAULA DE VOS Natural History and the Pursuit of Empire in Eighteenth-Century Spain |
241 | GEORGE E. BOULUKOS Olaudah Equiano and the Eighteenth-Century Debate on Africa |
257 | JOHN B. LYON "The Science of Sciences": Replication and Reproduction in Lavater's Physiognomics |
279 | JEFFREY S. RAVEL The Coachman's Bare Rump: An Eighteenth-Century French Cover-Up |
367 | JODY GREENE Hors d'œuvre |
381 | GEOFFREY BENNINGTON Derrida's "Eighteenth Century" |
395 | PEGGY KAMUF To Do Justice to "Rousseau," Irreducibly |
405 | NEIL SACCAMANO Inheriting Enlightenment, or Keeping Faith with Reason in Derrida [End Page 693] |
425 | RICHARD TERDIMAN Determining the Undetermined: Derrida's "University Without Condition" |
443 | JULIE CANDLER HAYES Unconditional Translation: Derrida's Enlightenment-to-Come |
457 | SRINIVAS ARAVAMUDAN Subjects/Sovereigns/Rogues |
467 | IAN BALFOUR The Gift of Example: Derrida and the Origins of the Eighteenth Century |
525 | DAVID JOHNSON Representing the Cape "Hottentots," from the French Enlightenment to Post-apartheid South Africa |
553 | EVE TAVOR BANNET Quixotes, Imitations, and Transatlantic Genres |
571 | WILLIAM GIBSON Tobias Smollett and Cat-for-Hare: The Anatomy of a Picaresque Joke |
587 | EMMA BARKER Mme Geoffrin, Painting and Galanterie: Carle Van Loo's Conversation espagnole and Lecture espagnole |
615 | ANNE ELIZABETH CARSON "Exquisite Torture": The Autoeroticism of Pope's Eloisa |
631 | KATHERINE MANNHEIMER Personhood, Poethood, and Pope: Johnson's Life of Pope and the Search for the Man Behind the Author |
Review Articles
651 | JOHANNA FASSL In the Art of the Tiepolo a Single Gesture Is Often Equivalent to a Long Sentence Calasso, Il rosa Tiepolo; Gealt and Knox, Domenico Tiepolo: A New Testament; Seydl, Giambattista Tiepolo: Fifteen Oil Sketches |
655 | RICHARD J. SQUIBBS Taking Reading Seriously Black, Of Essays and Reading in Early Modern Britain; Kivy, The Performance of Reading: An Essay in the Philosophy of Literature |
659 | LORNA CLYMER The Work of Poetry Eighteenth-Century English Labouring-Class Poets, 1700–1800, 3 volumes. General editor: John Goodridge; assistant general editor: Simon Kövesi; advisory editor: David Fairer. Vol. I: 1700–1740, ed. William Christmas; Vol. II: 1740–1780, ed. Bridget Keegan; Vol. III: 1780–1800, ed. Tim Burke; Bradford, Augustan Measures: Restoration and Eighteenth-Century Writings on Prosody and Metre [End Page 694] |
664 | ERIC JOHNSON Libertines and Liberty: State Justice and Changing Regimes in Eighteenth-Century France Bongie, From Rogue to Everyman: A Foundling's Journey to the Bastille; Andress, The Terror: The Merciless War for Freedom in Revolutionary France |
667 | NATANIA MEEKER "My Sade" Martyn, Sublime Failures: The Ethics of Kant and Sade; Ost, Sade et la loi; Vilmer, Sade moraliste: Le dévoilement de la pensée sadienne à la lumière de la réforme pénale au XVIIIe siècle |
Forum
149 | KAROL BERGER, JILL CAMPBELL, AND DON HERZOG Multidisciplinary Views of Dror Wahrman's The Making of the Modern Self: Identity and Culture in Eighteenth-Century England. Winner of the 2004–2005 Louis Gottschalk Prize of the American Society for Eighteenth-Century Studies. |
677 | DENISE GIGANTE, MALCOLM ANDREWS, MAUREEN HARKIN Multidisciplinary views of David Marshall's The Frame of Art: Fictions of Aesthetic Experience, 1750–1815. Winner of the 2005–2006 Louis Gottschalk Prize of the American Society for Eighteenth-Century Studies. |
Exhibition Reviews
157 | JON L. SEYDL Cosmopolitan Rome "Il Settecento a Roma." Palazzo Venezia, Rome; Exhibition catalogue: Lo Bianco and Negro, eds., Il Settecento a Roma |
162 | T. LAWRENCE LARKIN "Quoi! C'est Marie-Antoinette, là?": Reflections on the Recent Exhibition in Bordeaux "Marie-Antoinette à Versailles: Le goût d... |