Abstract

What might at first appear as two disparate performance spaces—a gallery and a theatre—are actually complementary aspects of the traumatic real. The juxtaposition of the Inconvenient Evidence photography exhibit on abuses at Abu Ghraib prison and the documentary play Guantánamo: "Honor Bound to Defend Freedom" suggests a correspondence between the documentary spectacles of war and theatre.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 29-41
Launched on MUSE
2006-08-17
Open Access
No
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