Contributors
- Contributors
Lorraine Gallicchio Mercer is an assistant professor of English at Portland State University, in Portland, Oregon. She has published in the Dictionary of Literary Biography on British Travel Writers/Victorian Period, and Literature of Travel and Exploration, an Encyclopedia.
John Bruns is an Assistant Professor of English at the College of Charleston. In addition to teaching courses on film, he also coordinates the Film Studies Minor, for which he is the acting advisor. He received his Ph.D. in Film, Literature and Culture from the University of Southern California. His work has appeared in Postmodernism in the Cinema, Studies in American Humor, and Texas Studies in Literature & Language. He is currently working on a book entitled Form and Feeling: New Modes of Expression in Narrative Cinema.
Nils Clausson received his Ph.D. from Dalhousie University and has taught at the University of Regina (Regina, Saskatchewan, Canada) since 1984. He teaches courses on Victorian and modern British literature, popular fiction, literary genres, and literary theory. He has published articles on Benjamin Disraeli, D. H. Lawrence, Edmund Blunden, Seamus Heaney, Susan Glaspell, G. K. Chesterton, Wilfred Owen, Oscar Wilde, and Arthur Conan Doyle. He is currently working on a book on the theory and practice of genre criticism, tentatively entitled "How to Do Things with Genres," of which the present article on The Hound of the Baskervilles will form a chapter.
Jennifer M. Jeffers is an Associate Professor in the English Department at Cleveland State University. Her books include The Irish Novel at the End of the Twentieth Century: Gender, Bodies, and Power, and Uncharted [End Page 133] Space: The End of Narrative, as well as an edited collection on Samuel Beckett, and an aesthetic and critical theory reader.
Kate Behr is a member of the English Department at Concordia College, Bronxville, New York. Fascinated by popular fiction and taste (of virtually any period), she has published a book on eighteenth-century Gothic, is writing about nineteenth-century sensation fiction, has an on/off relationship with William Henry Ireland, the notorious Shakespeare forger, and has been a Harry Potter fan since 1998. [End Page 134]
