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Fourth Genre: Explorations in Nonfiction 7.1 (2005) 188-189



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Lin Calof

After Such Knowledge: Memory, History, and the Legacy of the Holocaust, by Eva Hoffman. Perseus Books Group, 2004. 280 pages, cloth, $25.00.

In her last book, Lost in Translation, Eva Hoffman showed us what it was like to experience the self-absorbed me-generation of 1960s America as an adolescent emigrant from war-torn Krakow, Poland. In After Such Knowledge, Hoffman reveals her outsider's perspective once more, only this time as a second-generation Holocaust survivor.

Hoffman asks fellow survivors, readers, and herself, "What meanings does the Holocaust hold for us today—and how are we going to pass on those meanings to subsequent generations?" As the age of living memory nears its end, 60 years after the Shoah, the legacy—and the responsibility for passing on its moral, historical, and psychological implications—is being handed down to the second generation.

Hoffman's parents survived the Holocaust in what was then the Polish part of the Ukraine with the help of neighbors, but their entire families perished. One of the most poignant moments in the book is when the author finally meets the family who saved her parents' lives.

Hoffman's meditation is a dense narrative that interweaves Freudian thought, theories on the transmission of trauma, historical accounts of the Holocaust and other genocides, with her personal stories of loss, restoration, and forgiveness. In order to grieve and move on, she says, reflecting back Freudian theory, "you have to know what you have lost." And "transferred loss" is what the children of survivors inherit.

At the end of the book, Hoffman answers her initial question, by saying, "If we do not want to betray the past—if we want to remain ethical beings [End Page 182] and honor our covenant with those who suffered—then moral passion needs to be supplanted by moral thought, by an incorporation of memory into our consciousness of the world." And it is this final thought that makes this book exigent among not only Holocaust literature, but all of literature, for it addresses the extensive implications of atrocity.

Lin Calof, a writer living in Burnsville, Minnesota, is studying creative nonfiction at the University of Minnesota. She is currently working on a book-length memoir entitled Crazy for You. She can be contacted at lin.calof@gte.net.


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Additional Information

ISSN
1544-1733
Print ISSN
1522-3868
Pages
pp. 188-189
Launched on MUSE
2005-05-23
Open Access
No
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