Abstract

This essay discusses the creation ofwayang wahyu—a Catholic form of shadow theatre in central Java—and its relation to Church politics of inculturation. It presents a short history and an analysis of performance practice of this unique Christian theatre.

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Additional Information

ISSN
1527-2109
Print ISSN
0742-5457
Pages
pp. 194-202
Launched on MUSE
2004-07-30
Open Access
No
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