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Browse > Film, Theater, and Performing Arts > Film and Media Studies > The Moving Image

Volume 8, Number 2, Fall 2008

Editor’s Foreword

pp. vi-xi | DOI: 10.1353/mov.0.0013
Karen F. Gracy
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Features

Digital Decay

pp. xiii-35 | DOI: 10.1353/mov.0.0015
Charlotte Crofts
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Theorizing Amateur Cinema: Limitations and Possibilities

pp. 36-60 | DOI: 10.1353/mov.0.0017
Ryan Shand
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Unraveling the Madison News Reel: An Unlikely Convergence of Collage, Industrial, and Local Film

pp. 61-77 | DOI: 10.1353/mov.0.0019
Sean Savage
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Forum

Joint Technical Symposium 2007: Audiovisual Heritage and the Digital Universe, University of Toronto, June 28–30, 2007

pp. 78-86 | DOI: 10.1353/mov.0.0021
Kara Van Malssen
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Digital Asset Symposium: Museum of Modern Art, New York City, April 25, 2008

pp. 86-89 | DOI: 10.1353/mov.0.0023
David Gibson
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Reviews

Scenes of Instruction: The Beginnings of the U.S. Study of Film (review)

pp. 90-92 | DOI: 10.1353/mov.0.0012
Haden Guest
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EAI Online Resource Guide for Exhibiting, Collecting & Preserving Media Art (review)

pp. 92-94 | DOI: 10.1353/mov.0.0014
Steve Polta
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Phantom (1922) (review)

pp. 95-98 | DOI: 10.1353/mov.0.0016
Paul Dobryden
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Don’t Change Your Husband with The Golden Chance , and Why Change Your Wife? with Miss Lulu Bett (review)

pp. 98-102 | DOI: 10.1353/mov.0.0018
Laura Horak
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The Virgin Spring (review)

pp. 102-104 | DOI: 10.1353/mov.0.0020
Arne Lunde
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Treasures III: Social Issues in American Film, 1900–1934 (review)

pp. 105-108 | DOI: 10.1353/mov.0.0022
Daisuke Miyao
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Contributors

Contributors

pp. 109-110 | DOI: 10.1353/mov.0.0011
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The Moving Image

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