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  Volume 9, Number 1, Spring 2009

Table of Contents

The State of Orphan Films: Editor’s Introduction

pp. vi-xix
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Features

Are All (Analog) Films “Orphans”?: A Predigital Appraisal

pp. 1-18
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The Bureaucratic Activist: Federal Filmmakers and Social Change in the U.S. Department of Agriculture’s Tick Eradication Campaign

pp. 19-53
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Garras De Oro (The Dawn of Justice—Alborada De Justicia): The Intriguing Orphan of Colombian Silent Films

pp. 54-82
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Extended Family Films: Home Movies in the State-Sponsored Archive

pp. 83-103
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Carl Marzani and Union Films: Making Left-Wing Documentaries during the Cold War, 1946–53

pp. 104-160
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Nothing Could Be Finer?: George Stoney’s Tar Heel Family and the Tar Heel State on Film

pp. 161-182
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Experiments in Propaganda: Reintroducing James Blue’s Colombia Trilogy

pp. 183-200
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Carl Sanders and Albert Maysles: Georgia Politics Meets Direct Cinema, 1969–70

pp. 201-213
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Forum

The Army, Newsreel, and The Army Film

pp. 214-217
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Old-Time Religion: Christian Experimentalism and Preaching to the “Unchurched”

pp. 217-224
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Between Sign-Off Films and Test Patterns: Insight at UCLA

pp. 224-229
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Tributes to Bill O’Farrell

pp. 229-235
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Reviews

Books

How the West Was Sung (review)

pp. 236-238
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Body Shots: Early Cinema’s Incarnations (review)

pp. 238-240
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Harnessing the Technicolor Rainbow: Color Design in the 1930s (review)

pp. 240-243
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Films

Valentino: Rediscovering an Icon of Silent Film (review)

pp. 243-245
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The Harold Lloyd Comedy Collection (review)

pp. 246-249
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Discovering Cinema: Learning to Talk & Movies Dream in Color (2003–2004) (review)

pp. 249-253
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Projektionen der Sehnsucht: Saturn. Die erotischen Anfange der oesterreichischen Kinematogrofie [Projections of Desire, Saturn: The Erotic Beginnings of Austrian Cinematography] (review)

pp. 253-256
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Contributors

Contributors

pp. 257-260
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Research Areas

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