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An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation
- TDR: The Drama Review
- The MIT Press
- Volume 58, Number 2, Summer 2014 (T222)
- pp. 115-131
- Article
- Additional Information
Scored on the horizon of the Voting Rights Act, Benjamin Patterson’s 1964 First Symphony begins with a vote that divides the audience as it opens representational democracy to unexpected outcomes. As the only black Fluxus artist, Patterson’s approach to representation as both a political and artistic problematic proves foundational for Clifford Owens’s 2011/12 living anthology of African American performance at MoMA PS1.