restricted access   Volume 58, Number 2, Summer 2014 (T222)

Table of Contents


p. 1


The Con

pp. 2-3

In Memory

José Esteban Muñoz 1967–2013

pp. 7-13


Remembering Feminist Remimesis: A Riddle in Three Parts

pp. 14-32

Outsider Histories, Insider Artists, Cross-Cultural Ensembles: Visiting with Disability Presences in Contemporary Art Environments

pp. 33-50

Theatre, Masculinity, and Class in the First World War: Vivian Gilbert Performs the Last Crusade

pp. 51-71

Work and Shoot: Professional Wrestling and Embodied Politics

pp. 72-86

Still Thrills: The Drama of Chess

pp. 87-98

Student Essay Contest Co-Winners

Shot and Captured: Turf Dance, YAK Films, and the Oakland, California, R.I.P. Project

pp. 99-114

An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation

pp. 115-131

Student Essay Contest Honorable Mention

Fatty Boom Boom and the Transnationality of Blackface in Die Antwoord’s Racial Project

pp. 132-148


Gómez-Peña on Illness, the Human Body, Performance, and Quantum Physics: a psychomagic script for a hard recovery

pp. 149-162

Critical Acts

The Subterranean Language of Jeanine Durning’s inging and Monique Jenkinson’s Instrument

pp. 163-171

Making Theatre Art: David Levine’s Habit

pp. 171-176


The Cambridge Companion to African American Theatre edited by Harvey Young (review)

pp. 177-179

Racial Innocence: Performing American Childhood from Slavery to Civil Rights by Robin Bernstein (review)

pp. 179-180

Sex, Drag, and Male Roles: Investigating Gender as Performance by Diane Torr and Stephen Bottoms (review)

pp. 180-182

Antigone on the Contemporary World Stage edited by Erin B. Mee and Helene P. Foley (review)

pp. 183-184

The Brightest Thing in the World: 3 Lectures from the Institute of Failure by Matthew Goulish (review)

pp. 184-186

Ensemble Theatre Making: A Practical Guide by Rose Burnett Bonczek and David Storck (review)

pp. 186-188