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Volume 28, May 2004

Table of Contents

Editor's Column: The Comparatist in Transition

pp. 1-4 | DOI: 10.1353/com.2004.0012


Comparative Perspectives on the Longer Lyric

Companions with Time: Milton, Tasso, and Renaissance Dialogue

pp. 5-28

The Myth of Poetry: On Heidegger's "Hölderlin"

pp. 29-38 | DOI: 10.1353/com.2004.0000

"Directing" the Reader: Khodasevich's "Sorrento Photographs" and Montage

pp. 39-51 | DOI: 10.1353/com.2004.0003

Verbal/Visual Interactions. Specific Instances and Theoretical Interventions (co-edited with Nikita Nankov)

Chronos/Chroma: Yellow Figures in Proust's La Prisonnière and Bely's Petersburg

pp. 53-75

Sublime Rupert and Beautiful Lenny: Aesthetics and Temporality in Scorsese's The King of Comedy and Fosse's Lenny

pp. 77-95

Derrida/Blanchot/Boltanski: Borderdiscourse

pp. 96-111

Comparatist Readings of Popular Icons

The "Golden, Holy Cord of Calculation": Collodi's Second Thoughts on Pinocchio

pp. 113-134

Jules Verne in Transylvania

pp. 135-150

Review Essays

Deleuze and His Time: A Prophecy Fulfilled

pp. 151-153

Theory Matters (review)

pp. 153-156


What Is World Literature? (review)

pp. 157-158

Posts and Pasts: A Theory of Postcolonialism (review)

pp. 158-160 | DOI: 10.1353/com.2004.0010

Death of a Discipline (review)

pp. 160-162 | DOI: 10.1353/com.2004.0013


Beyond the Color Line and the Iron Curtain: Reading Encounters between Black and Red, 1922-1963 (review)

pp. 162-163

Decadent Subjects (review)

pp. 163-164

Stage Fright: Modernism, Anti-Theatricality, and Drama (review)

p. 165 | DOI: 10.1353/com.2004.0004

Books Received

Books Received

pp. 166-173 | DOI: 10.1353/com.2004.0007

Research Areas


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