Contributors
- Contributors
Patrick Cheney, Professor of English and Comparative Literature at the Pennsylvania State University, is the author of Marlowe’s Counterfeit Profession: Ovid, Spenser, Counter-Nationhood and a coeditor of The Collected Works of Edmund Spenser, forthcoming from Oxford University Press.
Ann Jennalie Cook, Professor Emerita at Vanderbilt University, has been Executive Director of the Shakespeare Association of America and Chairman of the International Shakespeare Association, which she now serves as Vice-President; she is the author of The Privileged Playgoers of Shakespeare’s London, 1576-1642 (1981) and Making a Match: Courtship in Shakespeare and his Society (1991)
Joan Ozark Holmer, Professor of English at Georgetown University, is the author of “The Merchant of Venice”: Choice, Hazard and Consequence; her other publications include articles on Elizabethan ethics, Tudor fairylore, Shakespeare, Nashe, Milton, Herrick, William Browne, and Vincentio Saviolo.
Barbara Kreps, Associate Professor of English at the University of Pisa, has written several studies focusing on the relationship between law and literature; she is currently working on a study of women printers in Tudor England.
Courtney Lehmann, Assistant Professor of English and Film Studies at the University of the Pacific, is the author of Shakespearean Projections and coeditor, with Lisa S. Starks, of Spectacular Shakespeare: Critical Theory and Popular Cinema, both forthcoming in 2001.
Russ McDonald, Professor of English at the University of North Carolina at Greensboro, is the author of Shakespeare and the Arts of Language, just published by Oxford University Press, and the widely-adopted Bedford Companion to Shakespeare, recently issued in an expanded second edition.
Kathleen McLuskie, Professor of English at the University of Southampton, is editing Macbeth for the Arden Shakespeare. [End Page 309]
Paul Nelsen, Professor of Theatre and Drama at Marlboro College, has published numerous essays on the Globe reconstruction and on Shakespeare in performance. He is currently developing a book on early modern acting.
Sharon O’dair, Associate Professor of English at the University of Alabama, is the author of Class, Critics, and Shakespeare: Bottom Lines on the Culture Wars (2000).
Stephen Orgel is the Jackson Eli Reynolds Professor in Humanities at Stanford. His most recent book is Impersonations: The Performance of Gender in Shakespeare’s England (1996). He has edited The Tempest and The Winter’s Tale for the Oxford Shakespeare and is the general editor, with A. R. Braunmuller, of the new Pelican Shakespeare.
John Orrell, University Professor Emeritus at the University of Alberta and historical adviser to the Bankside Globe theater, is the author of The Quest for Shakespeare’s Globe (1983), The Theatres of Inigo Jones and John Webb (1985), and The Human Stage (1988), all published by Cambridge University Press.
Martha Ronk, Irma and Jay Price Professor of English and Comparative Literature at Occidental College, is the author of numerous articles on emblematic women in Shakespeare’s plays; her books of poetry include State of Mind (1995) and Eyetrouble (1998).
Michael Ellis-Tolaydo, Steven Muller Distinguished Professor in the Arts at St. Mary’s College of Maryland, is on the editorial board of Shakespeare Magazine and has contributed chapters to Washington Square Press’s Shakespeare Set Free series; he is also a professional actor and director. [End Page 310]
