We cannot verify your location
Browse Book and Journal Content on Project MUSE

  Volume 52, Number 2, Summer 2001

Table of Contents

From: Shakespeare Quarterly

Previous Issue Next Issue

From the Editor

pp. iii-iv | DOI: 10.1353/shq.2001.0035


Strictly Shakespeare? Dead Letters, Ghostly Fathers, and the Cultural Pathology of Authorship in Baz Luhrmann's William Shakespeare's Romeo + Juliet

pp. 189-221 | DOI: 10.1353/shq.2001.0028

"O, let my books be. .. dumb presagers": Poetry and Theater in Shakespeare's Sonnets

pp. 222-254 | DOI: 10.1353/shq.2001.0022

Locating the Visual in As You Like It

pp. 255-276 | DOI: 10.1353/shq.2001.0036

Shakespeare Performed

Cymbeline at Santa Cruz

pp. 276-285 | DOI: 10.1353/shq.2001.0033

Book Reviews

The Arden Shakespeare King Henry VI, Part 1 (review)

pp. 286-289 | DOI: 10.1353/shq.2001.0027

Lighting the Shakespearean Stage, 1567-1642 (review)

pp. 289-291 | DOI: 10.1353/shq.2001.0031

English Court Theatre 1558-1642 (review)

pp. 292-293 | DOI: 10.1353/shq.2001.0034

Macbeth: Man and Myth (review)

pp. 293-296 | DOI: 10.1353/shq.2001.0030

Shakespeare's Storytellers: Dramatic Narration (review)

pp. 296-298 | DOI: 10.1353/shq.2001.0024

Late Shakespeare: A New World of Words (review)

pp. 298-300 | DOI: 10.1353/shq.2001.0029

Shakespeare: Text and Theater, Essays in Honor of Jay L. Halio (review)

pp. 300-303 | DOI: 10.1353/shq.2001.0026

Players of Shakespeare 4: Further Essays in Shakespearian Performance (review)

pp. 303-305 | DOI: 10.1353/shq.2001.0025

Repositioning Shakespeare: National Formations, Postcolonial Appropriations (review)

pp. 306-308 | DOI: 10.1353/shq.2001.0032


pp. 309-310 | DOI: 10.1353/shq.2001.0023

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access