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Volume 18, Number 2, April 2011

Table of Contents

Auto-Specularity: Driving through the American Night

pp. 213-231 | DOI: 10.1353/mod.2011.0023

Interiority Conceits: Domestic Architecture, Graphophone Recordings, and Colonial Imaginations in August Strindberg's The Roofing Ceremony (1907).

pp. 233-253 | DOI: 10.1353/mod.2011.0028

"Harpsichords Metallic Howl—": The Baroness Elsa von Freytag-Loringhoven's Sound Poetry

pp. 255-271 | DOI: 10.1353/mod.2011.0033

Kneaded Language: Concrete Poetry and New Media in the Swedish 1960s

pp. 273-288 | DOI: 10.1353/mod.2011.0038

Modernist Networks: Taxco, 1931

pp. 289-307 | DOI: 10.1353/mod.2011.0043

Cinematic Space in Rome's Disabitato: Between Metropolis and Terrain Vague in the Films of Fellini, Antonioni, and Pasolini

pp. 309-333 | DOI: 10.1353/mod.2011.0048

Men in Love? Male Friendship in Gertrude Stein's Early Portrait

pp. 335-354 | DOI: 10.1353/mod.2011.0053

'John Cournos and the Politics of Russian Literature in The Criterion'

pp. 355-369 | DOI: 10.1353/mod.2011.0026

Messianic Pains. The Apocalyptic Temporality in Avant-Garde Art, Politics, and War

pp. 371-393 | DOI: 10.1353/mod.2011.0031

Al Qaeda and the Avant-Garde: Towards a Genealogy of the Taliah

pp. 395-404 | DOI: 10.1353/mod.2011.0036

Between Revolution and Reform: Anzia Yezierska's Labor Politics

pp. 405-423 | DOI: 10.1353/mod.2011.0041

Late Modernism, Pulp History: Jorge Luis Borges' A Universal History of Infamy (1935)

pp. 425-441 | DOI: 10.1353/mod.2011.0046

Out of Archive

Cinema's First Flight

pp. 443-446 | DOI: 10.1353/mod.2011.0051

A Translation from Felix Mésguich's Tours de manivelle

pp. 447-448 | DOI: 10.1353/mod.2011.0054

Review Essay

Genesis and Crisis: Foundations of a Modern Black Literary Intelligentsia

pp. 449-454 | DOI: 10.1353/mod.2011.0024

Book Reviews

Eugène Jolas: Critical Writings, 1924–1951 (review)

pp. 455-458 | DOI: 10.1353/mod.2011.0029

Magazines, Modernity and War (review)

pp. 458-462 | DOI: 10.1353/mod.2011.0034

Thomas Eakins and the Cultures of Modernity (review)

pp. 462-465 | DOI: 10.1353/mod.2011.0039

Consider David Foster Wallace (review)

pp. 465-468 | DOI: 10.1353/mod.2011.0044

Adverse Genres in Fernando Pessoa (review)

pp. 468-470 | DOI: 10.1353/mod.2011.0049

Transatlantic Print Culture, 1880–1940: Emerging Media, Emerging Modernisms (review)

pp. 470-472 | DOI: 10.1353/mod.2011.0022

Ballets Russes, The Art of Costume (review)

pp. 473-475 | DOI: 10.1353/mod.2011.0027

Modernism in Kyiv: Jubilant Experimentation (review)

pp. 475-476 | DOI: 10.1353/mod.2011.0032

Rumer Godden: International and Intermodern Storyteller (review)

pp. 476-478 | DOI: 10.1353/mod.2011.0037

Improper Modernism: Djuna Barnes's Bewildering Corpus (review)

pp. 478-480 | DOI: 10.1353/mod.2011.0042

The Edinburgh Companion to Virginia Woolf and the Arts (review)

pp. 480-482 | DOI: 10.1353/mod.2011.0047

Who's Afraid of James Joyce? (review)

pp. 482-484 | DOI: 10.1353/mod.2011.0052

Shakespeare and the Modern Poet (review)

pp. 484-485 | DOI: 10.1353/mod.2011.0025

Fashion at the Time of Fascism: Italian Modernist Lifestyle 1922–1943 (review)

pp. 485-487 | DOI: 10.1353/mod.2011.0030

Piero Gobetti's New World: Antifascism, Liberalism, Writing (review)

pp. 487-488 | DOI: 10.1353/mod.2011.0035

Form, Power, and Person in Robert Creeley's Life and Work (review)

pp. 489-490 | DOI: 10.1353/mod.2011.0040

Recent Books of Interest

Recent Books of Interest

pp. 491-494 | DOI: 10.1353/mod.2011.0045

Errata

pp. 495-497 | DOI: 10.1353/mod.2011.0050

Research Areas

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