1. The Laws of Comparison: H. D. and Cinematic Formalism
  2. Jonathan Foltz
  3. pp. 1-25
  4. DOI: 10.1353/mod.2011.0006
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  1. The Transcultural Roots of Modernism: Imagist Poetry, Japanese Visual Culture, and the Western Museum System
  2. Rupert Richard Arrowsmith
  3. pp. 27-42
  4. DOI: 10.1353/mod.2011.0010
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  1. Scrapping Modernism: Marianne Moore and the Making of the Modern Collage Poem
  2. Bartholomew Brinkman
  3. pp. 43-66
  4. DOI: 10.1353/mod.2011.0014
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  1. "Sweet Fascism in the Piney Woods": Absalom, Absalom! as Fascist Fable
  2. Jeanne A. Follansbee
  3. pp. 67-94
  4. DOI: 10.1353/mod.2011.0017
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  1. The Chinese Parrot: Technê-Pop Culture and the Oriental Detective Film
  2. R. John Williams
  3. pp. 95-124
  4. DOI: 10.1353/mod.2011.0020
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  1. Revising The Antiphon, Restaging Trauma; or, Where Sexual Politics Meet Textual History
  2. Julie Taylor
  3. pp. 125-147
  4. DOI: 10.1353/mod.2011.0001
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  1. Techno-Primitivism: Á Propos of Lady Chatterley's Lover
  2. David Trotter
  3. pp. 149-166
  4. DOI: 10.1353/mod.2011.0004
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  1. Perpetuating the Myth: Sergey Diaghilev and the Ballets Russes
  2. Giannandrea Poesio
  3. pp. 167-173
  4. DOI: 10.1353/mod.2011.0008
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  1. Everyday Life Studies: A Review
  2. Liesl Olson
  3. pp. 175-180
  4. DOI: 10.1353/mod.2011.0012
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  1. Virginia Woolf, Modernity and History: Constellations with Walter Benjamin (review)
  2. Benjamin Robinson
  3. pp. 181-183
  4. DOI: 10.1353/mod.2011.0016
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  1. Citizen, Invert, Queer: Lesbianism and War in Early Twentieth-Century Britain (review)
  2. Laura Doan
  3. pp. 183-184
  4. DOI: 10.1353/mod.2011.0019
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  1. Joyce, Medicine, and Modernity (review)
  2. Sean Latham
  3. pp. 185-187
  4. DOI: 10.1353/mod.2011.0000
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  1. James Joyce (review)
  2. Vike Martina Plock
  3. pp. 187-188
  4. DOI: 10.1353/mod.2011.0003
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  1. Joyce's Disciples Disciplined: A Re-Exagmination of the 'Exagmination' of 'Work in Progress' (review)
  2. Geert Lernout
  3. pp. 189-190
  4. DOI: 10.1353/mod.2011.0007
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  1. Parody: The Art that Plays with Art (review)
  2. Simon Dentith
  3. pp. 190-192
  4. DOI: 10.1353/mod.2011.0011
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  1. On Mount Vision: Forms of the Sacred in Contemporary American Poetry (review)
  2. Matthew Mutter
  3. pp. 192-194
  4. DOI: 10.1353/mod.2011.0015
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  1. True Friendship: Geoffrey Hill, Anthony Hecht and Robert Lowell Under the Sign of Eliot and Pound (review)
  2. Natalie Pollard
  3. pp. 194-196
  4. DOI: 10.1353/mod.2011.0018
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  1. The Total Work of Art: From Bayreuth to Cyberspace, and: Modernism after Wagner (review)
  2. Nicholas Vazsonyi
  3. pp. 196-199
  4. DOI: 10.1353/mod.2011.0021
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  1. Multimedia Modernism: Literature and the Anglo-American Avant-Garde (review)
  2. Chris Forster
  3. pp. 199-201
  4. DOI: 10.1353/mod.2011.0002
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  1. Errant Modernism: The Ethos of Photography in Mexico and Brazil (review)
  2. Rubén Gallo
  3. pp. 201-203
  4. DOI: 10.1353/mod.2011.0005
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  1. Red Desert (Il deserto rosso) (review)
  2. Joseph Luzzi
  3. pp. 205-209
  4. DOI: 10.1353/mod.2011.0009
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  1. Recent Books of Interest
  2. pp. 211-212
  3. DOI: 10.1353/mod.2011.0013
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