- Heart of the Octopus
What can be divided in the six chambers of his cloistered heart
that cannot be separated by the hands? Candelabra for the flickering
primordial flame. Nothing then like the fragile fingers of men, donned
with neoprene and gauges, reaching down to bustling reefs,
those of the doctoral student or the tender digits of honeymooners
banded with gold. Brightest of invertebrates, what would you know
of letting go? I would assume not much, with eight suctioned arms.
But after a male mates he dies. That’s something. I found myself hurting
as I watched a renowned Japanese sushi chef dismantle a live octopus
before the camera crew for three hundred dollars a plate. A nice way to say
it was dismembered. So why this compassion when I had always savored
the greasy calamari of seaside diners? I think maybe it was learning [End Page 2]
of our similarities: the ability to hide, their use of camouflage and deimatic
display, the messy expulsions of ink. But to worry for an eight-legged
invertebrate might be tantamount to insanity while my country wraps up its twelve-year war and muzzle flashes light the alleys of Syria.
I had thought it was good to care for the small and tucked away creatures
of blanching reefs. So are they aware of a shift? Incremental changes
in degrees and the masked diver with his Medusahead of hoses.
Our love is of ice clinking in glass. Of the comforts a first world
can buy. So we feel on for words in the dark and snap them off at the participle,
like stalactites from tidewater caves, an octopus staring up
from pools of iridescent blue—a big brain doesn’t make her human. [End Page 3]
Jonathan Veach’s poetry has appeared in Quiddity, Naugatuck River Review, and others. He is a recipient of a Gwendolyn Brooks Poetry Award from the Illinois Center for the Book.