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Volume 33, Number 1, 2003

Table of Contents

Special Focus: The American West(s) in Film, Television, and History

The Editor's Reflections and Reports

pp. 1-5

Hollywood's White House: The American Presidency in Film and History

p. 5

The American West(s) in Film, Television, and History: Introduction

pp. 6-8

Cimarron: The New Western History in 1931

pp. 9-17

The "Ache for Home" in Anthony Mann's Devil's Doorway (1950)

pp. 18-29

Rewriting High Noon: Transformations in American Popular Political Culture During the Cold War

pp. 30-40

Dead Men Walking: Consumption and Agency in the Western

pp. 41-46

Historical Discourse and American Identity in Westerns since the Reagan Administration

pp. 47-54

The Future of The West Wing: Discussions on H-PCAACA Listserv

pp. 55-63

Bridget Jones's Diary

pp. 64-65

Bowling for Columbine

pp. 65-66

Ghosts of Attica and Investigation of a Flame: A Documentary Portrait of the Catonsville Nine

pp. 66-67

Harry Potter and the Chamber of Secrets (2002) & The Lord of the Rings: The Two Towers (2002)

pp. 67-69

Zinat: One Special Day

pp. 69-70

The Good War and Those Who Refused to Fight It (2000) (review)

pp. 70-72

Lou's on First (review)

pp. 73-75

Echoes of War: A Thousand Years of Military History in Popular Culture (review)

pp. 75-76

Film and Knowledge: Essays on the Integration of Images and Ideas (review)

pp. 76-77

The Western Genre: From Lordsburg to Big Whiskey Short Cuts Series 7 (review)

pp. 77-78

Reel History: In Defense of Hollywood (review)

pp. 78-79

Billy Wilder: American Film Realist (review)

pp. 79-80

American Audiences on Movies and Moviegoing (review)

pp. 80-81

Disaster Movies: The Cinema of Catastrophe (review)

pp. 80-81

The Films of Derek Jarman (review)

pp. 83-84

Storytelling in the New Hollywood: Understanding Classical Narrative Technique (review)

p. 84

The Hitler Filmography: Worldwide Feature Film and Television Miniseries Portrayals, 1940 through 2000 (review)

pp. 84-85

Public Enemies, Public Heroes: Screening the Gangster from Little Caesar to Touch of Evil (review)

pp. 85-86

Off-White Hollywood: American Culture and Ethnic Stardom (review)

p. 86

The Encyclopedia of Orson Welles (review)

p. 87

Why We Make Movies: Black Filmmakers Talk About the Magic of Cinema (review)

pp. 87-88

Research Areas


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