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In this Issue

Table of Contents

  1. Canadians and Culture; or, Taxes, Money, Prestige, Ordinary Folk, Subsidized Whiners, and All the Rest
  2. Imre Szeman
  3. pp. 1-5
  4. DOI: https://doi.org/10.1353/esc.0.0057
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  1. When Artists Carry the Torch
  2. Sherry Simon
  3. pp. 6-9
  4. DOI: https://doi.org/10.1353/esc.0.0059
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  1. (W)Hol(l)y Fucked!: Strategizing Resistance to the Harper Arts Cuts
  2. Lorraine York
  3. pp. 10-15
  4. DOI: https://doi.org/10.1353/esc.0.0067
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  1. The Imagination’s Subsidies: Whiners, Elites, Ordinary People, and the Economy
  2. Larissa Lai
  3. pp. 16-19
  4. DOI: https://doi.org/10.1353/esc.0.0069
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  1. The Balanced Boredom Campaign
  2. Greg Elmer
  3. pp. 20-23
  4. DOI: https://doi.org/10.1353/esc.0.0068
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  1. The Politics of the Exasperated: Arts and Culture in Canada
  2. Jody Berland
  3. pp. 24-30
  4. DOI: https://doi.org/10.1353/esc.0.0061
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  1. Cukor and Collaboration: Subjective Displacement in America’s Postwar Years
  2. David Jarraway
  3. pp. 31-65
  4. DOI: https://doi.org/10.1353/esc.0.0066
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  1. “A Necessary Collaboration”: Biographical Desire and Elizabeth Smart
  2. Robert McGill
  3. pp. 67-88
  4. DOI: https://doi.org/10.1353/esc.0.0077
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  1. Turning the Pages: Rereading Atwood’s Novels
  2. Nathalie Cooke
  3. pp. 89-93
  4. DOI: https://doi.org/10.1353/esc.0.0070
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  1. Negotiating the Nation: The Reproduction and Reconstruction of the National Imaginary in Margaret Atwood’s Surfacing
  2. Kiley Kapuscinski
  3. pp. 95-123
  4. DOI: https://doi.org/10.1353/esc.0.0060
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  1. “I’m sorry my story is in fragments”: Offred’s Operatic Counter-Memory
  2. Kimberly Fairbrother Canton
  3. pp. 125-144
  4. DOI: https://doi.org/10.1353/esc.0.0072
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  1. Secret Allies: Reconsidering Science and Gender in Cat’s Eye
  2. Janine Rogers
  3. pp. 145-170
  4. DOI: https://doi.org/10.1353/esc.0.0065
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  1. Crossing Boundaries in Shakespeare
  2. Emily Detmer-Goebel
  3. pp. 171-183
  4. DOI: https://doi.org/10.1353/esc.0.0064
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  1. Textual Performances: The Modern Reproduction of Shakespeare’s Drama (review)
  2. Pascale Aebischer
  3. pp. 185-188
  4. DOI: https://doi.org/10.1353/esc.0.0073
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  1. Recalling Early Canada: Reading the Political in Literary and Cultural Production (review)
  2. Stella Algoo-Baksh
  3. pp. 189-191
  4. DOI: https://doi.org/10.1353/esc.0.0076
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  1. Unsettling Partition: Literature, Gender, Memory (review)
  2. Nandi Bhatia
  3. pp. 191-194
  4. DOI: https://doi.org/10.1353/esc.0.0071
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  1. Privacy, Playreading, and Women’s Closet Drama, 1550–1700 (review)
  2. Reina Green
  3. pp. 194-197
  4. DOI: https://doi.org/10.1353/esc.0.0058
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  1. History, Literature, and the Writing of the Canadian Prairies (review)
  2. Lisa Grekul
  3. pp. 198-200
  4. DOI: https://doi.org/10.1353/esc.0.0079
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  1. H.D. and the Image (review)
  2. Alison Halsall
  3. pp. 200-203
  4. DOI: https://doi.org/10.1353/esc.0.0078
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  1. English Biography in the Seventeenth Century: A Critical Survey (review)
  2. Graham Parry
  3. pp. 203-207
  4. DOI: https://doi.org/10.1353/esc.0.0075
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  1. Shakespeare’s History Plays: Performance, Translation, and Adaptation in Britain and Abroad (review)
  2. David Ian Rabey
  3. pp. 207-210
  4. DOI: https://doi.org/10.1353/esc.0.0074
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  1. Strangers at Home: American Ethnic Modernism Between the Wars (review)
  2. Alan Rice
  3. pp. 210-211
  4. DOI: https://doi.org/10.1353/esc.0.0063
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  1. The Uses of Script and Print, 1300–1700 (review)
  2. William W. E. Slights
  3. pp. 212-215
  4. DOI: https://doi.org/10.1353/esc.0.0062
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