1. Why Do I Have to Read Like That?
  2. Cecily Devereux
  3. pp. 1-3
  4. DOI: 10.1353/esc.0.0045
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  1. Why Do I (Feel That I) Have to Read Like That?: A Graduate Student's Perspective
  2. Greg Bechtel
  3. pp. 4-8
  4. DOI: 10.1353/esc.0.0043
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  1. Reading and the Difference it Makes
  2. Clint Burnham
  3. pp. 9-12
  4. DOI: 10.1353/esc.0.0042
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  1. Reading Differently, Writing the City
  2. Glenn Deer
  3. pp. 13-16
  4. DOI: 10.1353/esc.0.0041
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  1. Structure and Serendipity
  2. Patricia Demers
  3. pp. 17-22
  4. DOI: 10.1353/esc.0.0040
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  1. The Hidden Labour of Reading Pleasure
  2. Nicole Shukin
  3. pp. 23-27
  4. DOI: 10.1353/esc.0.0034
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  1. Adjusting the Scale of Values: The Modern Language Association of Ontario, 1886–1919
  2. Heather Murray
  3. pp. 29-51
  4. DOI: 10.1353/esc.0.0033
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  1. Editing Canadian Modernism
  2. Dean Irvine
  3. pp. 53-84
  4. DOI: 10.1353/esc.0.0032
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  1. Canadian Cultural Policy-making at a Time of Neoliberal Globalization
  2. Sabine Milz
  3. pp. 85-107
  4. DOI: 10.1353/esc.0.0031
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  1. Social Climbing on Annapurna: Gender in High-altitude Mountaineering Narratives
  2. Julie Rak
  3. pp. 109-146
  4. DOI: 10.1353/esc.0.0030
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  1. Timing "I": An Investigation of the Autofictional "I" in Gail Scott's Heroine
  2. Erin Wunker
  3. pp. 147-164
  4. DOI: 10.1353/esc.0.0051
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  1. Women and the Literature of Settlement and Plunder: Toward an Understanding of the Zimbabwean Land Crisis
  2. Julie Cairnie
  3. pp. 165-188
  4. DOI: 10.1353/esc.0.0050
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  1. Ethics, Spectres, and Formalism in Sheila Watson's The Double Hook
  2. Marlene Goldman
  3. pp. 189-208
  4. DOI: 10.1353/esc.0.0049
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  1. The Community of Sentient Beings: J. M. Coetzee's Ecology in Disgrace and Elizabeth Costello
  2. Don Randall
  3. pp. 209-225
  4. DOI: 10.1353/esc.0.0054
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  1. Indie Publishing?: Broadview Press, Gynocritics, and Anne of Green Gables
  2. Laura M. Robinson
  3. pp. 227-238
  4. DOI: 10.1353/esc.0.0053
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  1. Futures for the Humanities
  2. Amy Koritz
  3. pp. 239-252
  4. DOI: 10.1353/esc.0.0052
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  1. Light in the Dark Room: Photography and Loss (review)
  2. Peter Buse
  3. pp. 253-256
  4. DOI: 10.1353/esc.0.0048
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  1. Narrating Scotland: The Imagination of Robert Louis Stevenson (review)
  2. Leith Davis
  3. pp. 257-261
  4. DOI: 10.1353/esc.0.0028
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  1. British Aestheticism and the Urban Working Classes, 1870—1900: Beauty for the People (review)
  2. Dennis Denisoff
  3. pp. 261-265
  4. DOI: 10.1353/esc.0.0055
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  1. The Muse Strikes Back: Female Narratology in the Novels of Hédi Bouraoui (review)
  2. Kenneth J. Fleurant
  3. pp. 265-267
  4. DOI: 10.1353/esc.0.0029
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  1. "Full of all knowledge": George Herbert's Country Parson and Early Modern Social Discourse (review)
  2. Kenneth J.E. Graham
  3. pp. 268-272
  4. DOI: 10.1353/esc.0.0044
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  1. When Canadian Literature Moved to New York (review)
  2. Dean Irvine
  3. pp. 272-276
  4. DOI: 10.1353/esc.0.0026
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  1. Deformity: An Essay (review)
  2. Stephen Pender
  3. pp. 276-279
  4. DOI: 10.1353/esc.0.0038
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  1. The Child Writer from Austen to Woolf (review)
  2. Mavis Reimer
  3. pp. 279-283
  4. DOI: 10.1353/esc.0.0047
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  1. Margaret Laurence's Epic Imagination (review)
  2. Wendy Roy
  3. pp. 284-288
  4. DOI: 10.1353/esc.0.0027
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  1. Jane Austen (review)
  2. Elizabeth Sabiston
  3. pp. 288-292
  4. DOI: 10.1353/esc.0.0035
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  1. The Intimate Life of L.M. Montgomery (review)
  2. Lorraine York
  3. pp. 293-296
  4. DOI: 10.1353/esc.0.0037
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  1. Children of the Queen's Revels: A Jacobean Theatre Repertory (review)
  2. Kevin Curran
  3. pp. 296-298
  4. DOI: 10.1353/esc.0.0039
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  1. Foucault and the Government of Disability (review)
  2. Lennard J. Davis
  3. pp. 298-304
  4. DOI: 10.1353/esc.0.0036
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  1. The Half-Lives of Pat Lowther (review)
  2. Susanna Egan
  3. pp. 305-307
  4. DOI: 10.1353/esc.0.0056
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  1. The Cambridge Companion to Byron (review)
  2. Caroline Franklin
  3. pp. 308-310
  4. DOI: 10.1353/esc.0.0046
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