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In this Issue

Table of Contents

  1. Editorial
  2. Fabrice Fitch
  3. p. 357
  4. restricted access
  1. 'Agricolesque, ou presque': for the Agricola quincentenary
  2. Fabrice Fitch
  3. pp. 359-373
  4. restricted access
  1. Pater meus agricola est: the early years of Alexander Agricola
  2. Rob C. Wegman
  3. pp. 375-389
  4. restricted access
  1. 'I have never seen your equal': Agricola, the Virgin, and the Creed
  2. Mary Jennifer Bloxam
  3. pp. 391-407
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  1. Alexander Agricola and intuitive syllable deployment
  2. Warwick Edwards
  3. pp. 409-425
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  1. 'Music, why do you weep?' A lament for Alexander Agricola ( d. 1506)
  2. Tess Knighton
  3. pp. 427-441
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  1. Time stands still: devices and designs, allegory and alliteration, poetry and music and a new identification in an old portrait
  2. Anthony Rooley
  3. pp. 443-460
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  1. Revisiting Atys: reflections on Les Arts Florissants' production
  2. Geoffrey, oboist Burgess
  3. pp. 465-478
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  1. The first printed musical dictionary
  2. Ronald Woodley
  3. pp. 479-481
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  1. Yielding Willaert's secrets
  2. James Chater
  3. pp. 481-482
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  1. A master of the sonata before Corelli?
  2. Andrew Dell'Antonio
  3. pp. 482-483
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  1. The Janus faces of the 17th century
  2. Peter Walls
  3. pp. 483-485
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  1. Dazzling concertos
  2. John Irving
  3. pp. 487-489
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  1. Fugal rejuvenation
  2. David Gaynor Yearsley
  3. pp. 489-492
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  1. Sadie on Mozart
  2. Julian Rushton
  3. pp. 492-494
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  1. In the company of Richard Burnett
  2. Michael Latcham
  3. pp. 494-497
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  1. The lost history of the Lowland Scottish pipes
  2. David, 1942 Oct. 27- Johnson
  3. pp. 497-498
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  1. Cuckolds all a row
  2. Jeremy Barlow
  3. pp. 499-501
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  1. Michel Lambert's miniatures
  2. Catherine Elizabeth Gordon-Seifert
  3. pp. 501-504
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  1. Boccherini's concert arias
  2. Eric Cross
  3. pp. 504-506
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  1. Early keyboard
  2. Paul Simmonds
  3. pp. 507-510
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  1. Monteverdi motets and madrigals
  2. Noel O'Regan
  3. pp. 510-513
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  1. Corelli and his legacy
  2. Eric Cross
  3. pp. 513-515
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  1. Completing Vivaldi
  2. Elizabeth Roche
  3. pp. 515-517
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  1. Bach concertos and cantatas
  2. Peter Holman
  3. pp. 517-520
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  1. Mostly Hummel
  2. Peter Branscombe
  3. pp. 520-522
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  1. Another batch of reissues
  2. Francis Knights
  3. pp. 522-525
  4. restricted access