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In this Issue

Table of Contents

  1. Editorial
  2. Tess Knighton
  3. p. 187
  4. restricted access
  1. Musical instruments in the Macclesfield Psalter
  2. Jeremy Montagu
  3. pp. 189-203
  4. restricted access
  1. The Renaissance flute in mixed ensembles: surviving instruments, pitches and performance practice
  2. Boaz Berney
  3. pp. 205-223
  4. restricted access
  1. The missing link: the trombone in Italy in the 17th and 18th centuries
  2. David M. Guion
  3. pp. 225-232
  4. restricted access
  1. Between theory and practice: comparative study of early music performances
  2. Eitan Ornoy
  3. pp. 233-247
  4. restricted access
  1. A Josquin substitution
  2. Jesse Rodin
  3. pp. 249-257
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  1. Forqueray Pieces de Viole (Paris, 1747): an enigma of authorship between father and son
  2. Lucy, viol player Robinson
  3. pp. 259-276
  4. restricted access
  1. Staging a Handel opera
  2. Andrew V. Jones
  3. pp. 277-287
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  1. English treatises edited
  2. Anna Jones
  3. pp. 289-292
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  1. The poetry of Monte's madrigals
  2. Melanie Marshall
  3. pp. 292-293
  4. restricted access
  1. Joye for recorder and flute consorts
  2. Anthony Rowland-Jones
  3. pp. 293-296
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  1. Bach's protean Passions
  2. John Butt
  3. pp. 296-298
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  1. Ordering Scarlatti's strange world
  2. W. Dean Sutcliffe
  3. pp. 298-301
  4. restricted access
  1. Unsettling Mozart
  2. David Wyn Jones
  3. pp. 301-302
  4. restricted access
  1. Beethoven and the violin
  2. Clive Brown
  3. pp. 303-304
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  1. Trecento fragments
  2. Margaret Bent
  3. pp. 305-306
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  1. Early lute facsimiles
  2. Anthony Rooley
  3. pp. 306-308
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  1. Penitential Petrucci
  2. Peter J. D. Scott
  3. pp. 308-309
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  1. Ditties, psalms and fa las
  2. Thomas Elias
  3. pp. 309-311
  4. restricted access
  1. For the home keyboardist
  2. Timothy Roberts
  3. pp. 311-313
  4. restricted access
  1. A Viennese violin concerto
  2. Duncan Druce
  3. pp. 313-314
  4. restricted access
  1. European Renaissance
  2. David Trendell
  3. pp. 317-318
  4. restricted access
  1. More Iberian discoveries
  2. Tess Knighton
  3. pp. 318-324
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  1. From Stadtpfeifer to Kapellmeister
  2. Stephen Rose
  3. pp. 324-326
  4. restricted access
  1. Varieties of Handel
  2. Peter Holman
  3. pp. 327-329
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  1. Scandal and songbirds in the French Baroque
  2. Shirley Thompson
  3. pp. 329-331
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  1. Rameau's 'theatre of enchantments' on DVD
  2. Graham Sadler
  3. pp. 331-334
  4. restricted access
  1. Harpsichord explorations
  2. John Kitchen
  3. pp. 335-337
  4. restricted access
  1. Haydn and Mozart sonatas
  2. Derek Adlam
  3. pp. 337-339
  4. restricted access
  1. Classical to Romantic
  2. Peter Branscombe
  3. pp. 339-340
  4. restricted access
  1. William Byrd at Duke
  2. Philip Taylor
  3. pp. 341-342
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  1. The polychoral tradition
  2. Anna Tedesco
  3. pp. 342-344
  4. restricted access
  1. Analyzing Baroque music
  2. Naomi J. Barker
  3. pp. 344-345
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  1. The court suite revisited: a brief response
  2. Erik Albertyn
  3. p. 347
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  1. Christmas pastorellas
  2. Peter Downey
  3. pp. 347-349
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  1. Bach's 'Rosetta stone' revisited
  2. John R. Catch
  3. p. 350
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  1. Temperament in the 19th century
  2. Douglas Leedy
  3. p. 350
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  1. Blasco de Nebra edition
  2. Max Wheeler
  3. p. 350
  4. restricted access