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Browse Book and Journal Content on Project MUSE

Volume 20, 2013

Table of Contents

From the Editor

pp. v-vi | DOI: 10.1353/ctn.2013.0005


The Place of Mimesis and the Apocalyptic: Toward a Topology of the “Far and Near”

pp. 1-24 | DOI: 10.1353/ctn.2013.0008

The Reception of the Mimetic Theory in the German-Speaking World

pp. 25-76 | DOI: 10.1353/ctn.2013.0010

Naturalizing Ethics: A Girardian Perspective

pp. 77-86 | DOI: 10.1353/ctn.2013.0012

Scandals Must Come

pp. 87-99 | DOI: 10.1353/ctn.2013.0000

The Nonself of Girard

pp. 101-116 | DOI: 10.1353/ctn.2013.0002

The Child of Fortune: Envy and the Constitution of the Social Space

pp. 117-140 | DOI: 10.1353/ctn.2013.0004

Nietzsche’s Double Binds: Giuseppe Fornari and René Girard on Nietzsche’s Thought

pp. 141-162 | DOI: 10.1353/ctn.2013.0007

Expositions of Sacrificial Logic: Girard, Žižek, and Cormac McCarthy’s No Country for Old Men

pp. 163-179 | DOI: 10.1353/ctn.2013.0009

To-Night “Golden Curls”: Murder and Mimesis in Hitchcock’s The Lodger

pp. 181-205 | DOI: 10.1353/ctn.2013.0011

The Sacrificial Ram and the Swan Queen: Mimetic Theory Fades to Black

pp. 207-237 | DOI: 10.1353/ctn.2013.0013

How Can Satan Cast Out Satan?: Violence and the Birth of the Sacred in Christopher Nolan’s The Dark Knight

pp. 239-251 | DOI: 10.1353/ctn.2013.0001

Re-Visiting the Double: A Girardian Reading of Alfred Hitchcock’s Rope and Strangers on a Train

pp. 253-261 | DOI: 10.1353/ctn.2013.0003


pp. 263-267 | DOI: 10.1353/ctn.2013.0006

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