Cinema Journal
48, Number 1, Fall 2008
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E-ISSN: 1527-2087 Print ISSN: 0009-7101
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Examples in Theory: Interpassive Illustrations and Celluloid Fetishism
pp. 3-26
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The New Wave Meets the Tradition of Quality: Jacques Demy’s The Umbrellas of Cherbourg
pp. 27-50
“Feed Me!”: Power Struggles and the Portrayal of Race in Little Shop of Horrors
pp. 51-67
Pop Go the Warner Bros., et al.: Marketing Film Songs during the Coming of Sound
pp. 68-89
The Eye of the Frog: Questions of Space in Films Using Digital Processes
pp. 90-110
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Conference Report: Border Crossings: Rethinking Silent Cinema, February 8–10, 2008, University of California, Berkeley
pp. 111-114
In Focus: Sound Studies
Foregrounding Sound: New (and Old) Directions in Sound Studies
pp. 115-117
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Inattentive Engagements: The New Problematics of Sound and Music
pp. 118-123
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Sound Studies: Missing the (Popular) Music for the Screens?
pp. 123-130
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Radio’s Cultural Turns
pp. 130-138
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Re-Enchanting Radio
pp. 138-145
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Contributors
Book Reviews
Electric Sounds: Technological Change and the Rise of Corporate Mass Media (review)
pp. 147-149
Making Beats: The Art of Sample-Based Hip-Hop (review)
pp. 154-156