1. "Wait for the Next Pictures": Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips
  2. Josh Lambert
  3. pp. 3-25
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  1. Renoir and Murder
  2. Karla Oeler
  3. pp. 26-48
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  1. Herzog, Landscape, and Documentary
  2. Eric Ames
  3. pp. 49-69
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  1. Taking Hollywood Back: The Historical Costume Drama, the Biopic, and Popular Front U.S. Film Criticism
  2. Chris Robé
  3. pp. 70-87
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  1. John Wayne as "Supercrip": Disabled Bodies and the Construction of "Hard" Masculinity in The Wings of Eagles
  2. Russell Meeuf
  3. pp. 88-113
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  1. Conference Report: Orphans Take Manhattan: The 6th Biannual Orphan Film Symposium, March 26–29, 2008, New York City
  2. Devin Orgeron
  3. pp. 114-118
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  1. Peer-to-Peer Review and the Future of Scholarly Authority
  2. Kathleen Fitzpatrick
  3. pp. 124-129
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  1. Engaging Academic and Nonacademic Communities through Online Scholarly Work
  2. Avi Santo, Christopher Lucas
  3. pp. 129-138
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  1. Digital Scholarship and Pedagogy, the Next Step: Cultural Science
  2. John Hartley
  3. pp. 138-145
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  1. Learning the Five Lessons of YouTube: After Trying to Teach There, I Don't Believe the Hype
  2. Alexandra Juhasz
  3. pp. 145-150
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  1. On Digital Scholarship
  2. Anne Friedberg
  3. pp. 150-154
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  1. Hybrid Practices
  2. Sharon Daniel
  3. pp. 154-159
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  1. Lawrence of Arabia (review)
  2. Edward Buscombe
  3. pp. 161-163
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  1. High Noon (review)
  2. Jon Lewis
  3. pp. 163-166
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  1. Rio Bravo (review)
  2. Scott Bukatman
  3. pp. 166-168
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  1. Introduction: Media Studies and the Digital Humanities
  2. Tara McPherson
  3. pp. 119-123
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  1. Contributors
  2. pp. 159-160
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  1. Contributors
  2. p. 168
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