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Browse Book and Journal Content on Project MUSE

  48, Number 2, Winter 2009

Table of Contents

"Wait for the Next Pictures": Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips

pp. 3-25 | DOI: 10.1353/cj.0.0076

Renoir and Murder

pp. 26-48 | DOI: 10.1353/cj.0.0078

Herzog, Landscape, and Documentary

pp. 49-69 | DOI: 10.1353/cj.0.0080

Taking Hollywood Back: The Historical Costume Drama, the Biopic, and Popular Front U.S. Film Criticism

pp. 70-87 | DOI: 10.1353/cj.0.0082

John Wayne as "Supercrip": Disabled Bodies and the Construction of "Hard" Masculinity in The Wings of Eagles

pp. 88-113 | DOI: 10.1353/cj.0.0084

Conference Report: Orphans Take Manhattan: The 6th Biannual Orphan Film Symposium, March 26–29, 2008, New York City

pp. 114-118 | DOI: 10.1353/cj.0.0086

In Focus: Digital Scholarship and Pedagogy

Introduction: Media Studies and the Digital Humanities

pp. 119-123 | DOI: 10.1353/cj.0.0077

Peer-to-Peer Review and the Future of Scholarly Authority

pp. 124-129 | DOI: 10.1353/cj.0.0095

Engaging Academic and Nonacademic Communities through Online Scholarly Work

pp. 129-138 | DOI: 10.1353/cj.0.0099

Digital Scholarship and Pedagogy, the Next Step: Cultural Science

pp. 138-145 | DOI: 10.1353/cj.0.0097

Learning the Five Lessons of YouTube: After Trying to Teach There, I Don't Believe the Hype

pp. 145-150 | DOI: 10.1353/cj.0.0098

On Digital Scholarship

pp. 150-154 | DOI: 10.1353/cj.0.0096

Hybrid Practices

pp. 154-159 | DOI: 10.1353/cj.0.0094



pp. 159-160 | DOI: 10.1353/cj.0.0075

Book Reviews

Lawrence of Arabia (review)

pp. 161-163 | DOI: 10.1353/cj.0.0081

High Noon (review)

pp. 163-166 | DOI: 10.1353/cj.0.0085

Rio Bravo (review)

pp. 166-168 | DOI: 10.1353/cj.0.0079



p. 168 | DOI: 10.1353/cj.0.0083

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