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Volume 152, Fall 2012

Table of Contents

Feature Articles

Costumes and Costuming: Defining Current Performance Strategies

pp. 3-4 | DOI: 10.1353/ctr.2012.0069

Negotiating Tensions betwixt Presence and Absence amidst a Big Sadness: Cultural Reclamation, Reinvention, and Costume Design

pp. 5-12 | DOI: 10.1353/ctr.2012.0072

The Spirit of Potentials: An Interview with Bretta Gerecke

pp. 13-18 | DOI: 10.1353/ctr.2012.0075

Making Mas: TruDynasty Carnival Takes Josephine Baker to the Caribbean Carnival

pp. 19-24 | DOI: 10.1353/ctr.2012.0078

For Show Only—No Performers!

pp. 25-31 | DOI: 10.1353/ctr.2012.0081

"The first time I put on a Maggie Smith ...": The Role of Costuming in the Artistic Process of Actresses at the Stratford Shakespeare Festival

pp. 32-37 | DOI: 10.1353/ctr.2012.0066

UBU at the Museum—Imaginary Travels through the World of Jean Paul Gaultier

pp. 38-43 | DOI: 10.1353/ctr.2012.0068

The "Stuff" That Games Are Made Of: Sharon E. Secord's Work for the Vancouver 2010 Olympic Opening and Closing Ceremonies

pp. 44-49 | DOI: 10.1353/ctr.2012.0071

Peeking through the Racks: Shedding Light on Working Conditions of Costume Designers

pp. 50-56 | DOI: 10.1353/ctr.2012.0074

François Barbeau: An Inspiration to Costume Designers: ADC and APASQ at the 2011 Quadrennial

pp. 57-60 | DOI: 10.1353/ctr.2012.0077

Portfolio

François Barbeau: Research on Materials

pp. Barbeau 1-Barbeau 16 | DOI: 10.1353/ctr.2012.0080

Views and Reviews

Editorial

pp. 61-62 | DOI: 10.1353/ctr.2012.0065

Ottawa Little Theatre, the "Original Regional": Canada's Longest-Running English Language Theatre Turns 100

pp. 62-65 | DOI: 10.1353/ctr.2012.0067

This Girl's Got Your Back: A Review of Girls on Top

pp. 66-67 | DOI: 10.1353/ctr.2012.0070

I Feel Like We've Been Here Before: A Review of The Godot Cycle

pp. 68-69 | DOI: 10.1353/ctr.2012.0073

Ghosting His Greatness

pp. 69-73 | DOI: 10.1353/ctr.2012.0076

PQ11: a "still point of the turning world"

pp. 73-76 | DOI: 10.1353/ctr.2012.0079

Research Areas

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