restricted access   Volume 153, Winter 2013

Table of Contents

From: Canadian Theatre Review

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Feature Articles

Jewish Performance in Canada

pp. 3-7
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Between Biblical Tradition and Contemporary Audiences: Jewish Theatre Practice in Toronto

pp. 8-12
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In the Mosaic: Jewish Identities in Canadian Performance and Installation Art

pp. 13-19
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The YICHUD Room: Performing Jewish Spaces

pp. 20-24
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My Life in Jewish Theatre: A Coming-Out Story

pp. 25-28
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Jewish Theatre in Vancouver Has Chutzpah!

pp. 29-33
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Yiddish Theatre beyond Montreal: Die Folkshpieler in Ottawa

pp. 34-38
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Web Only Supplement

Peering into The Dora Wasserman Yiddish Theatre Archives: A Photo Journal

pp. 1a-18a
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Becoming Archive ribcage: this wide passage

pp. 39-43
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What Comes First, Being a Playwright or Being a Jew?: Snapshots of Seven Canadian Writers

pp. 44-49
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Studio 180's Political Engagements: Finding the Jewish Soul in Canadian Theatre

pp. 50-55
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Corpus

pp. 56-93
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Introduction

pp. 57-58
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Editorial

Editorial

pp. 94-95
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Views and Reviews

Committing Theatre: Theatre Radicalism and Political Intervention in Canada (review)

pp. 95-97
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A Tyranny of Documents: The Performing Arts Historian as Film Noir Detective. Essays Dedicated to Brooks McNamara (review)

pp. 98-99
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The Steps to First Dance

pp. 99-102
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The Pleasure of Being In On It: Foreign Perspectives and "In-Authenticity" in The Golden Dragon at the Tarragon Theatre

pp. 102-104
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Enron, Playing in "Little Houston of the North"

pp. 104-107
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