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Table of Contents

  1. Editorial
  2. Reid Gilbert
  3. pp. 3-5
  4. DOI: https://doi.org/10.1353/ctr.0.0024
  5. restricted access
  1. Courting Truth: A Meditation on Lawyer Shows, the Public Expectation of Lawyers, and Techniques of Persuasion in an Episodic World
  2. Parie Leung
  3. pp. 6-13
  4. DOI: https://doi.org/10.1353/ctr.0.0029
  5. restricted access
  1. Offences Must Come: MK-Woyzeck at UBC
  2. Tom Scholte
  3. pp. 14-17
  4. DOI: https://doi.org/10.1353/ctr.0.0020
  5. restricted access
  1. Can the Theatre be a Courtroom?: An Interview with Liza Balkan
  2. Guillermo Verdecchia
  3. pp. 18-23
  4. DOI: https://doi.org/10.1353/ctr.0.0032
  5. restricted access
  1. Looking Out
  2. Liza Balkan
  3. pp. 19-23
  4. DOI: https://doi.org/10.1353/ctr.0.0035
  5. restricted access
  1. Private Acts: Devising Clark and I from Found Memories
  2. Pil Hansen
  3. pp. 24-29
  4. DOI: https://doi.org/10.1353/ctr.0.0025
  5. restricted access
  1. (Un)Related Purposes: Theatre and Law
  2. A.G. Boss
  3. pp. 30-37
  4. DOI: https://doi.org/10.1353/ctr.0.0026
  5. restricted access
  1. Cultural Memory and the Law in George F. Walker and Dani Romain's This Is Wonderland
  2. Chris Johnson
  3. pp. 38-43
  4. DOI: https://doi.org/10.1353/ctr.0.0027
  5. restricted access
  1. Guantánamo: Using a Play-Reading to Teach Law
  2. Gillian Calder
  3. pp. 44-49
  4. DOI: https://doi.org/10.1353/ctr.0.0031
  5. restricted access
  1. "My Passion, My World": An Interview with Derrick Chua
  2. Ric Knowles
  3. pp. 50-54
  4. DOI: https://doi.org/10.1353/ctr.0.0022
  5. restricted access
  1. Futz Buddies: The Effect of "An Evening with Futz" on Buddies in Bad Times
  2. Danielle I. Szlawieniec-Haw
  3. pp. 55-60
  4. DOI: https://doi.org/10.1353/ctr.0.0017
  5. restricted access
  1. Young Offenders in Performance: Audience and Practitioner Perspectives
  2. Krista Hagstrom, Allana C. Lindgren, Warwick Dobson
  3. pp. 61-68
  4. DOI: https://doi.org/10.1353/ctr.0.0033
  5. restricted access
  1. Clark and I Somewhere in Connecticut
  2. James Long
  3. pp. 69-86
  4. DOI: https://doi.org/10.1353/ctr.0.0018
  5. restricted access
  1. Views and Reviews
  2. Jenn Stephenson
  3. pp. 87-88
  4. DOI: https://doi.org/10.1353/ctr.0.0034
  5. restricted access
  1. Fear of Flight, Fear of Fright: Artistic Fraud of Newfoundland and Eight "Trans-Canadian" Playwrights Touch Down at Factory Theatre
  2. Barry Freeman, Robin C. Whittaker
  3. pp. 88-90
  4. DOI: https://doi.org/10.1353/ctr.0.0028
  5. restricted access
  1. "Without our past, we are just any town, no town at all": City of Wine
  2. Alex Fallis
  3. pp. 90-94
  4. DOI: https://doi.org/10.1353/ctr.0.0021
  5. restricted access
  1. Canadian Jazz Opera in America
  2. Katherine McLeod
  3. pp. 94-97
  4. DOI: https://doi.org/10.1353/ctr.0.0019
  5. restricted access
  1. Vers solitaire (OUT)
  2. Richard Simas
  3. pp. 97-99
  4. DOI: https://doi.org/10.1353/ctr.0.0030
  5. restricted access
  1. Uncovering the Playwright "in the Round"
  2. Jennette White
  3. pp. 99-100
  4. DOI: https://doi.org/10.1353/ctr.0.0023
  5. restricted access