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Table of Contents

  1. Improvisation
  2. Ric Knowles
  3. pp. 3-5
  4. DOI: https://doi.org/10.1353/ctr.0.0054
  5. restricted access
  1. Theatre of the Unexpected: When the Spectator Becomes Actor
  2. Louis-Martin Guay, Jacqueline Dinsmore
  3. pp. 6-10
  4. DOI: https://doi.org/10.1353/ctr.0.0037
  5. restricted access
  1. La Ligue Nationale d’Improvisation: Hockey’s Contribution to Theatresports
  2. Frederique Arroyas
  3. pp. 11-16
  4. DOI: https://doi.org/10.1353/ctr.0.0040
  5. restricted access
  1. “Moments You Just Cannot Write”: Suitcase In Point Theatre and the Spectacle of Improvisation
  2. Daniel Fischlin
  3. pp. 17-23
  4. DOI: https://doi.org/10.1353/ctr.0.0043
  5. restricted access
  1. The Stanislavski Game: Improvisation in the Rehearsal of Scripted Plays
  2. Tom Scholte
  3. pp. 24-28
  4. DOI: https://doi.org/10.1353/ctr.0.0046
  5. restricted access
  1. Searching for Poetry: On Collective Collaboration in Wajdi Mouawad’s Theatre
  2. Yana Meerzon
  3. pp. 29-34
  4. DOI: https://doi.org/10.1353/ctr.0.0049
  5. restricted access
  1. Improvising the Document
  2. Alex Lazaridis Ferguson
  3. pp. 35-41
  4. DOI: https://doi.org/10.1353/ctr.0.0052
  5. restricted access
  1. Improvisation and Education: Learning Through?
  2. Kathleen Gallagher
  3. pp. 42-46
  4. DOI: https://doi.org/10.1353/ctr.0.0036
  5. restricted access
  1. “a one-shot affair”: Cabaret as Improvised Curation
  2. T.L. Cowan
  3. pp. 47-54
  4. DOI: https://doi.org/10.1353/ctr.0.0039
  5. restricted access
  1. Improvising In and Out of the Box (or, “Caution: Do Not Enter if You are Claustrophobic”)
  2. Camellia Koo
  3. pp. 55-59
  4. DOI: https://doi.org/10.1353/ctr.0.0042
  5. restricted access
  1. Sandpaper: The Story of Moncton-Sable
  2. Philip André Collette
  3. pp. 60-64
  4. DOI: https://doi.org/10.1353/ctr.0.0045
  5. restricted access
  1. Papier
  2. Le Collectif Moncton-Sable
  3. pp. 66-84
  4. DOI: https://doi.org/10.1353/ctr.0.0048
  5. restricted access
  1. Views and Reviews
  2. Natalie Alvarez
  3. pp. 85-86
  4. DOI: https://doi.org/10.1353/ctr.0.0051
  5. restricted access
  1. This Ain’t the Scotiabank Theatre: Comedy Bar’s Impact on the Improvisation Community
  2. Nicholas Hanson
  3. pp. 86-89
  4. DOI: https://doi.org/10.1353/ctr.0.0055
  5. restricted access
  1. Performing Self and Society Through Improvisation: The Improvisation, Community, and Social Practice Project
  2. Rob Wallace
  3. pp. 89-90
  4. DOI: https://doi.org/10.1353/ctr.0.0038
  5. restricted access
  1. Applied Theatre: International Case Studies and Challenges for Practice (review)
  2. Catherine Graham
  3. pp. 90-92
  4. DOI: https://doi.org/10.1353/ctr.0.0041
  5. restricted access
  1. A Way Forward
  2. Joe Sorbara
  3. pp. 92-94
  4. DOI: https://doi.org/10.1353/ctr.0.0044
  5. restricted access
  1. Improvisation and Devising: The Circle of Expectation, the Invisible Hand, and RSVP
  2. Gyllian Raby
  3. pp. 94-97
  4. DOI: https://doi.org/10.1353/ctr.0.0047
  5. restricted access
  1. Collective Creation, Collaboration and Devising. Critical Perspectives on Canadian Theatre in English (Vol. 12) (review)
  2. Aida Jordão
  3. pp. 97-98
  4. DOI: https://doi.org/10.1353/ctr.0.0050
  5. restricted access
  1. “Why Can’t We Go Somewhere There?”: Sun Ra, Improvisation, and the Imagination of Future Possibilities
  2. Ajay Heble
  3. pp. 98-100
  4. DOI: https://doi.org/10.1353/ctr.0.0053
  5. restricted access

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Issue 142, Spring 2010

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Volume 144, Fall 2010