+ MUSE Alert

In this Issue

Table of Contents

  1. "All Fairly Engraven"?: Punches in England, 1695 to 1706
  2. Richard Hardie
  3. pp. 617-633
  4. DOI: https://doi.org/10.1353/not.2005.0015
  5. restricted access
  1. Virtual Reference in the Music Library
  2. Gerald Szymanski, Mary Alice Fields
  3. pp. 634-658
  4. DOI: https://doi.org/10.1353/not.2005.0035
  5. restricted access
  1. George Grove, Music and Victorian Culture (review)
  2. Ruth A. Solie
  3. pp. 732-734
  4. DOI: https://doi.org/10.1353/not.2005.0033
  5. restricted access
  1. The British Folk Revival, 1944-2002 (review)
  2. Ned Quist
  3. pp. 734-737
  4. DOI: https://doi.org/10.1353/not.2005.0029
  5. restricted access
  1. Britten, Voice, & Piano: Lectures on the Vocal Music of Benjamin Britten (review)
  2. Ruthann Boles McTyre
  3. pp. 737-738
  4. DOI: https://doi.org/10.1353/not.2005.0026
  5. restricted access
  1. Giacomo Puccini: Catalogue of the Works (review)
  2. Henry J. Grossi
  3. pp. 738-741
  4. DOI: https://doi.org/10.1353/not.2005.0014
  5. restricted access
  1. The Harvard Dictionary of Music (review)
  2. Joseph Szydlowski
  3. pp. 741-743
  4. DOI: https://doi.org/10.1353/not.2005.0034
  5. restricted access
  1. Exploring Twentieth-Century Music: Tradition and Innovation (review)
  2. Gregory Marion
  3. pp. 743-746
  4. DOI: https://doi.org/10.1353/not.2005.0023
  5. restricted access
  1. Electronic and Computer Music (review)
  2. Robert D. Terrio
  3. pp. 746-749
  4. DOI: https://doi.org/10.1353/not.2005.0037
  5. restricted access
  1. Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul (review)
  2. Andrew Flory
  3. pp. 752-754
  4. DOI: https://doi.org/10.1353/not.2005.0009
  5. restricted access
  1. Mavericks and Other Traditions in American Music (review)
  2. Catherine Ann Pellegrino
  3. pp. 754-757
  4. DOI: https://doi.org/10.1353/not.2005.0028
  5. restricted access
  1. Singing in My Soul: Black Gospel Music in a Secular Age (review)
  2. Morris S. Levy
  3. pp. 757-758
  4. DOI: https://doi.org/10.1353/not.2005.0021
  5. restricted access
  1. L'Apollonide de Leconte de Lisle et Franz Servais (review)
  2. John Wagstaff
  3. pp. 758-760
  4. DOI: https://doi.org/10.1353/not.2005.0040
  5. restricted access
  1. Bach and the Pedal Clavichord: An Organist's Guide (review)
  2. Brian Doherty
  3. pp. 760-763
  4. DOI: https://doi.org/10.1353/not.2005.0006
  5. restricted access
  1. Death-Devoted Heart: Sex and the Sacred in Wagner's Tristan and Isolde (review)
  2. Thomas S. Grey
  3. pp. 763-766
  4. DOI: https://doi.org/10.1353/not.2005.0013
  5. restricted access
  1. Dmitri Shostakovich, Pianist (review)
  2. Mark Mazullo
  3. pp. 766-769
  4. DOI: https://doi.org/10.1353/not.2005.0025
  5. restricted access
  1. Late Beethoven: Music, Thought, Imagination (review)
  2. Michael Charles Tusa
  3. pp. 769-772
  4. DOI: https://doi.org/10.1353/not.2005.0039
  5. restricted access
  1. The Life of Bach (review)
  2. Daniel F. Boomhower
  3. pp. 772-774
  4. DOI: https://doi.org/10.1353/not.2005.0002
  5. restricted access
  1. Metaphor and Musical Thought (review)
  2. Brien Weiner
  3. pp. 774-777
  4. DOI: https://doi.org/10.1353/not.2005.0042
  5. restricted access
  1. The Mozart Forgeries: A Caper Novel for the Serious Mozart Aficionado (review)
  2. Donald William Krummel
  3. pp. 777-778
  4. DOI: https://doi.org/10.1353/not.2005.0020
  5. restricted access
  1. Music and Women of the Commedia dell'arte in the Late Sixteenth Century (review)
  2. Andrew Dell'Antonio
  3. pp. 778-780
  4. DOI: https://doi.org/10.1353/not.2005.0005
  5. restricted access
  1. Music's Modern Muse: A Life of Winnaretta Singer, Princesse de Polignac (review)
  2. Bonnie Jo Dopp
  3. pp. 780-782
  4. DOI: https://doi.org/10.1353/not.2005.0007
  5. restricted access
  1. Opera in Theory and Practice, Image and Myth (review)
  2. Luke Jensen
  3. pp. 782-785
  4. DOI: https://doi.org/10.1353/not.2005.0017
  5. restricted access
  1. Schumann's Piano Cycles and the Novels of Jean Paul (review)
  2. Claudia MacDonald
  3. pp. 785-787
  4. DOI: https://doi.org/10.1353/not.2005.0022
  5. restricted access
  1. Books Recently Published
  2. Stephen Yusko, Karen R. Little
  3. pp. 788-818
  4. DOI: https://doi.org/10.1353/not.2005.0043
  5. restricted access
  1. New Periodicals
  2. Tracey Rudnick
  3. pp. 819-832
  4. DOI: https://doi.org/10.1353/not.2005.0030
  5. restricted access
  1. The Jazz Discography, Version 4.4, and: 85 Years of Recorded Jazz (1917-2002, A-Z Complete) (review)
  2. Eric S. Charry
  3. pp. 833-837
  4. DOI: https://doi.org/10.1353/not.2005.0003
  5. restricted access
  1. Tabulatura nova (review)
  2. Geoffrey Webber
  3. pp. 844-847
  4. DOI: https://doi.org/10.1353/not.2005.0041
  5. restricted access
  1. The Madrigals of Michelangelo Rossi (review)
  2. Giuseppe Gerbino
  3. pp. 847-849
  4. DOI: https://doi.org/10.1353/not.2005.0011
  5. restricted access
  1. Collected Vocal Music (review)
  2. Robert Stuart Shay
  3. pp. 849-851
  4. DOI: https://doi.org/10.1353/not.2005.0032
  5. restricted access
  1. 12 Concerti grossi, Op. 6/1-12 (review)
  2. Michael Talbot
  3. pp. 851-854
  4. DOI: https://doi.org/10.1353/not.2005.0036
  5. restricted access
  1. Stiffelio (review)
  2. Denise P. Gallo
  3. pp. 854-857
  4. DOI: https://doi.org/10.1353/not.2005.0010
  5. restricted access
  1. Domine, tu jurasti, and: Vide, Domine, afflictionem, and: Angelus Domini, and: Conserva me, Domine, and: Vox clamantis in deserto, and: Crux triumphans, and: Ave regina caelorum, and: Salve regina, and: Ave Maria, and: O domina mundi, and: Regina caeli laetare, and: Aspice Domini, and: Absalon fili mi, and: Ave Maria, and: Ave Maria, and: Ave verum corpus, and: Ave verum corpus, and: Illibata Dei virgo nutrix, and: Inviolata, integra et casta es Maria, and: Missus est Gabriel angelus, and: Gustate et videte, and: Jerusalem plantabis vineam, and: Tribus miraculis, and: Verbum caro factum est, and: Lux perpetua lucebit sanctis tuis, and: In illo tempore: assumpsit Jesus, and: Nesciens mater, and: Queramus cum pastoribus, and: Beata es Maria, and: Alma Redemptoris mater, and: Ave Maria, and: Ave Maria, and: Caro mea, and: Coenantibus illis, and: Ego sum panis vivus, and: Exaltabo te, and: Haec dies, and: O beata et benedicta et gloriosa Trinitas, and: O bone Jesu, and: O sacrum convivium, and: Peccantem me quotidie, and: Tantum ergo Sacramentum, and: Haec dies, and: Haec dies, and: Candidi facti sunt, and: In jejunio et fletu, and: Salvator mundi, and: Dum transisset sabbatum, and: Ave Maria, and: Ecce Dominus veniet, and: O sacrum convivium!, and: Vidi aquam, and: Ecce lignum crucis, Crux fidelis, and: O magnum mysterium, Ave Maria, and: Videns Dominus (Review)
  2. Di Grazia, Donna Marie
  3. pp. 857-866
  4. DOI: https://doi.org/10.1353/not.2005.0012
  5. restricted access
  1. Sonata for Horn and Piano, and: Sonata for Trombone and Piano, and: Sonata for Trumpet and Piano (review)
  2. Kim Dunnick
  3. pp. 874-877
  4. DOI: https://doi.org/10.1353/not.2005.0008
  5. restricted access
  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 885-891
  4. DOI: https://doi.org/10.1353/not.2005.0016
  5. restricted access
  1. Communications
  2. pp. 892-898
  3. DOI: https://doi.org/10.1353/not.2005.0004
  4. restricted access
  1. Jerome Moross: An Introduction and Annotated Worklist
  2. Charles Turner
  3. pp. 659-727
  4. DOI: https://doi.org/10.1353/not.2005.0038
  5. restricted access
  1. Notes for NOTES
  2. pp. 728-731
  3. DOI: https://doi.org/10.1353/not.2005.0027
  4. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 878-884
  4. DOI: https://doi.org/10.1353/not.2005.0018
  5. restricted access