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Table of Contents

  1. Music Printing in Leipzig During the Thirty Years' War
  2. Stephen Rose
  3. pp. 323-349
  4. DOI: https://doi.org/10.1353/not.2004.0161
  5. restricted access
  1. The Ricardo Vines Piano Music Collection at the University of Colorado at Boulder
  2. David Korevaar, Laurie J. Sampsel
  3. pp. 361-400
  4. DOI: https://doi.org/10.1353/not.2004.0143
  5. restricted access
  1. The Cambridge Companion to Grand Opera (review)
  2. Michael Edward McClellan
  3. pp. 415-417
  4. DOI: https://doi.org/10.1353/not.2004.0150
  5. restricted access
  1. The Societe des Concerts du Conservatoire, 1828-1967 (review)
  2. Katharine Ellis
  3. pp. 417-419
  4. DOI: https://doi.org/10.1353/not.2004.0133
  5. restricted access
  1. Debussy's 'Iberia' (review)
  2. Brian J. Hart
  3. pp. 419-421
  4. DOI: https://doi.org/10.1353/not.2004.0137
  5. restricted access
  1. Jean Cocteau, Guillaume Apollinaire, Paul Claudel et le Groupe des Six: Rencontres poetico-musicales autour des melodies et des chansons (review)
  2. Anthony Gritten
  3. pp. 421-423
  4. DOI: https://doi.org/10.1353/not.2004.0135
  5. restricted access
  1. For the End of Time: The Story of the Messiaen Quartet (review)
  2. Leslie Sprout
  3. pp. 423-425
  4. DOI: https://doi.org/10.1353/not.2004.0166
  5. restricted access
  1. Henri Dutilleux: Music, Mystery and Memory. Conversations with Claude Glayman (review)
  2. Caroline Rae
  3. pp. 425-428
  4. DOI: https://doi.org/10.1353/not.2004.0159
  5. restricted access
  1. Emilio de' Cavalieri "Gentiluomo Romano": His Life and Letters, His Role as Superintendent of all the Arts at the Medici Court, and His Musical Compositions. With Addenda to L'aria di Fiorenza and The Court Musicians in Florence (review)
  2. Murray C. Bradshaw
  3. pp. 428-430
  4. DOI: https://doi.org/10.1353/not.2004.0128
  5. restricted access
  1. The Organ Music of J. S. Bach (review)
  2. Lawrence Archbold
  3. pp. 430-432
  4. DOI: https://doi.org/10.1353/not.2004.0126
  5. restricted access
  1. Michael William Balfe: His Life and His English Operas (review)
  2. Jennifer Oates
  3. pp. 433-435
  4. DOI: https://doi.org/10.1353/not.2004.0154
  5. restricted access
  1. Richard Strauss: Autographen, Portrats, Buhnenbilder. Ausstellung zum 50. Todestag (review)
  2. Stephen McClatchie
  3. pp. 435-437
  4. DOI: https://doi.org/10.1353/not.2004.0149
  5. restricted access
  1. Drama and the World of Richard Wagner (review)
  2. Katherine Rae Syer
  3. pp. 437-439
  4. DOI: https://doi.org/10.1353/not.2004.0168
  5. restricted access
  1. Brahms: The Four Symphonies (review)
  2. David Pacun
  3. pp. 439-441
  4. DOI: https://doi.org/10.1353/not.2004.0156
  5. restricted access
  1. Andrzej Panufnik's Music and Its Reception (review)
  2. Maja Trochimczyk
  3. pp. 441-443
  4. DOI: https://doi.org/10.1353/not.2004.0169
  5. restricted access
  1. Composers of Classical Music of Jewish Descent (review)
  2. Stephen Luttmann
  3. pp. 444-447
  4. DOI: https://doi.org/10.1353/not.2004.0147
  5. restricted access
  1. Virtuosity and the Musical Work: The Transcendental Studies of Liszt (review)
  2. Jonathan Bellman
  3. pp. 447-449
  4. DOI: https://doi.org/10.1353/not.2004.0127
  5. restricted access
  1. With Voice and Pen: Coming to Know Medieval Song and How It Was Made (review)
  2. John Dickinson Haines
  3. pp. 449-451
  4. DOI: https://doi.org/10.1353/not.2004.0136
  5. restricted access
  1. History, Imagination, and the Performance of Music (review)
  2. David Dolata
  3. pp. 451-454
  4. DOI: https://doi.org/10.1353/not.2004.0132
  5. restricted access
  1. Locating East Asia in Western Art Music (review)
  2. Ada Nga-Ting Lai
  3. pp. 454-456
  4. DOI: https://doi.org/10.1353/not.2004.0144
  5. restricted access
  1. The Cambridge Companion to the String Quartet (review)
  2. Nancy November
  3. pp. 456-458
  4. DOI: https://doi.org/10.1353/not.2004.0153
  5. restricted access
  1. Bessie (review)
  2. Larry F. Ward
  3. pp. 458-460
  4. DOI: https://doi.org/10.1353/not.2004.0171
  5. restricted access
  1. Louis Armstrong: The Offstage Story of Satchmo (review)
  2. D. J. Hoek
  3. pp. 460-462
  4. DOI: https://doi.org/10.1353/not.2004.0140
  5. restricted access
  1. Hutterite Songs (review)
  2. Doreen Helen Klassen
  3. pp. 462-464
  4. DOI: https://doi.org/10.1353/not.2004.0141
  5. restricted access
  1. Magic Circles: The Beatles in Dream and History (review)
  2. Mark Mazullo
  3. pp. 465-467
  4. DOI: https://doi.org/10.1353/not.2004.0148
  5. restricted access
  1. False Prophet: Fieldnotes from the Punk Underground (review)
  2. Steve Waksman
  3. pp. 467-469
  4. DOI: https://doi.org/10.1353/not.2004.0170
  5. restricted access
  1. Music Makers: Portraits and Songs from the Roots of America (review)
  2. David Evans
  3. pp. 469-471
  4. DOI: https://doi.org/10.1353/not.2004.0134
  5. restricted access
  1. Celtic Modern: Music at the Global Fringe (review)
  2. Ann Morrison Spinney
  3. pp. 473-476
  4. DOI: https://doi.org/10.1353/not.2004.0165
  5. restricted access
  1. Books Recently Published
  2. Stephen Yusko, Karen R. Little
  3. pp. 477-511
  4. DOI: https://doi.org/10.1353/not.2004.0173
  5. restricted access
  1. Naxos Music Library (review)
  2. Ned Quist, Darwin Floyd Scott, Alec McLane
  3. pp. 512-516
  4. DOI: https://doi.org/10.1353/not.2004.0158
  5. restricted access
  1. MusicPad Pro and MusicPad Pro Plus (review)
  2. Charles Menoche
  3. pp. 516-519
  4. DOI: https://doi.org/10.1353/not.2004.0151
  5. restricted access
  1. Sound Recording Reviews
  2. Rick Anderson
  3. pp. 520-525
  4. DOI: https://doi.org/10.1353/not.2004.0125
  5. restricted access
  1. Orgelbuchlein, BWV 599-644: Faksimile der autographen Partitur, and: Ballade F-Dur Opus 38: Faksimile nach dem Autograph, im Besitz der Bibliotheque nationale de France, Paris, and: Fantasien fur Klavier Opus 116: Faksimile nach dem Autograph, im Besitz der Staats- und Universitatsbibliothek Hamburg, and: Wie die Zeit lauft! fur Klavier: Faksimile und Ubertragung, and: Das Jahr: Zwolf Charakterstucke (1841) fur das Fortepiano. Illustrierte Reinschrift mit Zeichnungen von Wilhelm Hensel. Faksimile nach dem Autograph aus dem Besitz des Mendelssohn-Archivs der Staatsbibliothek zu Berlin, and: "Dutch" Keyboard Variations "Laat ons juichen, Batavieren!" K. 24, "Willem van Nassau" K. 25 (review)
  2. Carl Stuart Leafstedt
  3. pp. 526-532
  4. DOI: https://doi.org/10.1353/not.2004.0146
  5. restricted access
  1. H.M.S. Pinafore, or, The Lass That Loved a Sailor, and: H.M.S. Pinafore in Full Score, and: H.M.S. Pinafore. Vocal Score, and: The Mikado in Full Score, and: The Mikado. Vocal Score, and: The Pirates of Penzance in Full Score, and: The Pirates of Penzance. Vocal Score, and: The Chieftan: A Comic Opera in Two Acts (review)
  2. Andrew Lamb
  3. pp. 532-536
  4. DOI: https://doi.org/10.1353/not.2004.0145
  5. restricted access
  1. Rodrigue et Chimene (review)
  2. Mark DeVoto
  3. pp. 537-540
  4. DOI: https://doi.org/10.1353/not.2004.0131
  5. restricted access
  1. Esther, the Beautiful Queen, and: The Oratorio of Daniel, Opus 42 (review)
  2. Robert M. Copeland
  3. pp. 540-542
  4. DOI: https://doi.org/10.1353/not.2004.0130
  5. restricted access
  1. Freie Bearbeitungen, IV, and: Freie Bearbeitungen, VI, and: Freie Bearbeitungen, IX, and: Freie Bearbeitungen, X (review)
  2. Jay, arranger Rosenblatt
  3. pp. 542-548
  4. DOI: https://doi.org/10.1353/not.2004.0162
  5. restricted access
  1. Sontagliche Evangelien (review)
  2. Andrew H. Weaver
  3. pp. 548-551
  4. DOI: https://doi.org/10.1353/not.2004.0172
  5. restricted access
  1. Italian Madrigals Englished (1590) (review)
  2. Jessie Ann Owens
  3. pp. 551-553
  4. DOI: https://doi.org/10.1353/not.2004.0155
  5. restricted access
  1. Musica spirituale, libro primo (Venice, 1563) (review)
  2. Sarah M. Stoycos
  3. pp. 553-556
  4. DOI: https://doi.org/10.1353/not.2004.0167
  5. restricted access
  1. Franck's Sonata in A Major for Violin and Piano (1886) and Faure's Sonata No. 1 in A Major for Violin and Piano Op. 13 (1875-6), and: Sonate Nr. 2 e-Moll Opus 108 fur Violine und Klavier, and: Deuxieme Sonate Op. 117 fur Violoncello und Klavier, and: Elegie Op. 24 fur Violoncello und Klavier, and: Papillon op. 77 aus "Les Soirees Intimes" fur Violoncello und Klavier, and: Anthology of Selected Pieces for Cello and Piano, and: Elegie Op. 24, Sicilienne Op. 78 for Violoncello and Piano, and: Anthology of Selected Pieces for Flute and Piano, and: Anthology of Original Pieces for Violin and Piano, and: Dolly Op. 56 for Piano Duet, and: Pieces breves pour piano Op. 84, and: Sonata No. 1 Op. 13 for Violin and Piano (review)
  2. James William Sobaskie
  3. pp. 556-561
  4. DOI: https://doi.org/10.1353/not.2004.0164
  5. restricted access
  1. The Alexander Siloti Collection: Editions, Transcriptions, and Arrangements for Piano Solo, and: 53 Studies on Etudes of Frederic Chopin and Other Chopin Arrangements (review)
  2. Robert Rimm
  3. pp. 561-565
  4. DOI: https://doi.org/10.1353/not.2004.0160
  5. restricted access
  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 579-581
  4. DOI: https://doi.org/10.1353/not.2004.0138
  5. restricted access
  1. Communications
  3. p. 583
  4. DOI: https://doi.org/10.1353/not.2004.0129
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  1. Documenting the International Avant Garde: Earle Brown and the Time-Mainstream Contemporary Sound Series
  2. D. J. Hoek
  3. pp. 350-360
  4. DOI: https://doi.org/10.1353/not.2004.0139
  5. restricted access
  1. Prices of Music Monographs and Scores as Reflected in Notes, 1998-2003
  2. Bradley H. Short
  3. pp. 401-408
  4. DOI: https://doi.org/10.1353/not.2004.0163
  5. restricted access
  1. Notes for Notes
  3. pp. 409-414
  4. DOI: https://doi.org/10.1353/not.2004.0152
  5. restricted access
  1. Song of the Outcasts: An Introduction to Flamenco (review)
  2. Antoni Piza
  3. pp. 471-473
  4. DOI: https://doi.org/10.1353/not.2004.0157
  5. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 566-578
  4. DOI: https://doi.org/10.1353/not.2004.0142
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