1. Solid Basic Training: Aaron Copland’s Studies with Rubin Goldmark
  2. Daniel E. Mathers
  3. pp. 1-67
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  1. Elliott Carter as (Anti-)Serial Composer
  2. Daniel A. Guberman
  3. pp. 68-88
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  1. “No Restrictions in Any Way on Style”: The Ford Foundation’s Composers in Public Schools Program, 1959–1969
  2. Paul Michael Covey
  3. pp. 89-130
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  1. Paris Blues: African American Music and French Popular Culture, 1920–1960 by Andy Fry (review)
  2. Rashida K. Braggs
  3. pp. 131-133
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  1. Traditional Music in Coastal Louisiana: The 1934 Lomax Recordings by Joshua Clegg Caffery (review)
  2. Ryan André Brasseaux
  3. pp. 134-137
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  1. Wayfaring Strangers: The Musical Voyage from Scotland and Ulster to Appalachia by Fiona Ritchie and Doug Orr (review)
  2. Chris Goertzen
  3. pp. 137-140
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