1. Posthumously Live: Canon Formation at Jazz at Lincoln Center through the Case of Mary Lou Williams
  2. Kimberly Hannon Teal
  3. pp. 400-422
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  1. Playing Apart as “Playing Together”: Lou Harrison’s Threnody for Carlos Chávez for Gamelan and Viola
  2. Rachel Chacko
  3. pp. 423-447
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  1. Justin Timberlake’s Two-Part Complementary Forms: Groove, Extension, and Maturity in Twenty-First-Century Popular Music
  2. Stephen Graham
  3. pp. 448-474
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  1. Making the March King: John Philip Sousa’s Washington Years, 1854–1893 by Patrick Warfield (review)
  2. John Graziano
  3. pp. 475-477
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  1. Irving Berlin’s American Musical Theater by Jeffrey Magee (review)
  2. Sheryl Kaskowitz
  3. pp. 477-480
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