1. “The General Entertainment of My Life”: The Tatler, the Spectator, and the Quidnunc’s Cure
  2. Stuart Sherman
  3. pp. 343-371
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  1. Pox on Both Your Houses: The Battle of the Romeos
  2. Leslie Ritchie
  3. pp. 373-393
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  1. The Newspaper “Trial” of Charles Macklin’s Macbeth and the Theatre as Juridical Public Sphere
  2. Kristina Straub
  3. pp. 395-418
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  1. The Catholic Question, Print Media, and John O’Keeffe’s The Poor Soldier (1783)
  2. Helen M. Burke
  3. pp. 419-448
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  1. The Scottish Play: Nationalism, Masculinity, and the Georgian Afterlife of The Wonder: A Woman Keeps a Secret
  2. Misty G. Anderson
  3. pp. 451-478
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  1. The Lure of the Other: Sheridan, Identity and Performance in Kingston and Calcutta
  2. Kathleen Wilson
  3. pp. 509-534
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  1. Sarah Sophia Banks’s Private Theatricals: Ephemera, Sociability, and the Archiving of Fashionable Life
  2. Gillian Russell
  3. pp. 535-555
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  1. Comedy, Too Fatal Emblem: Anne Damer and Occult Theatricality
  2. Clara Tuite
  3. pp. 557-596
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  1. Mourning the “Dignity of the Siddonian Form”
  2. Lisa A. Freeman
  3. pp. 597-629
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  1. Satire and Embodiment: Allegorical Romance on Stage and Page in Mid-Eighteenth-Century Britain
  2. Ros Ballaster
  3. pp. 631-660
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  1. Theatrical Tristram: Sterne and Hamlet Reconsidered
  2. Emily Hodgson Anderson
  3. pp. 661-680
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  1. Disoriented, Twice Removed from the Real, Racked by Passion in Walpole’s Protean Theatres of Sensation
  2. Peter Otto
  3. pp. 681-706
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  1. Melodrama and the Politics of Literary Form in Elizabeth Inchbald’s Works
  2. Marcie Frank
  3. pp. 707-730
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  1. Afterword: What Now?
  2. Joseph Roach
  3. pp. 731-734
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  1. The Oxford Handbook of The Georgian Theatre 1737–1832 ed. by Julia Swindells and David Francis Taylor (review)
  2. Terry F. Robinson
  3. pp. 735-741
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  1. Celebrity, Performance, Reception: British Georgian Theatre as Social Assemblage by David Worrall (review)
  2. Amy Garnai
  3. pp. 742-744
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  1. New World Drama: The Performative Commons in the Atlantic World, 1649–1849 by Elizabeth Maddock Dillon (review)
  2. Daniel Gustafson
  3. pp. 744-747
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  1. Women and Shakespeare in the Eighteenth Century by Fiona Ritchie (review)
  2. Jean I. Marsden
  3. pp. 747-749
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  1. Richard Brinsley Sheridan: The Impresario in Political and Cultural Context ed. by Jack E. DeRochi and Daniel J. Ennis (review)
  2. Dana Van Kooy
  3. pp. 750-753
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  1. Imagining Methodism in 18th-Century Britain: Enthusiasm, Belief and the Borders of the Self by Misty G. Anderson (review)
  2. David Alvarez
  3. pp. 753-755
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  1. Hercules by George Frideric Handel (review)
  2. Brian Corman
  3. pp. 756-758
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  1. The Beaux’ Stratagem by George Farquhar (review)
  2. Julia Fawcett
  3. pp. 758-760
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  1. The Critic by Richard Brinsley Sheridan (review)
  2. David Clare
  3. pp. 761-764
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  1. Introduction
  2. Daniel O’Quinn, Gillian Russell
  3. pp. 337-340
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  1. Half-History, or The Function of Cato at the Present Time
  2. Daniel O’Quinn
  3. pp. 479-507
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