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Table of Contents

  1. The Migrant Vision in Günter Grass’s The Tin Drum
  2. Søren Frank
  3. pp. 156-170
  4. DOI: https://doi.org/10.1353/crc.2015.0019
  5. restricted access
  1. Per omnia saecula saeculorum” or “Inkaba yakho iphi?”: Indigeneity in Alex La Guma and Aidan Higgins
  2. James Gifford
  3. pp. 171-189
  4. DOI: https://doi.org/10.1353/crc.2015.0021
  5. restricted access
  1. Of Gorbachev’s Perestroika, Plato’s Noble Lie, the Utopian Tradition, and the Third Sophistic
  2. Nikita Nankov
  3. pp. 190-207
  4. DOI: https://doi.org/10.1353/crc.2015.0011
  5. restricted access
  1. Recent Work in Caribbean Literature
  2. Amanda Perry
  3. pp. 208-217
  4. DOI: https://doi.org/10.1353/crc.2015.0013
  5. restricted access
  1. Surprised in Translation by Mary Ann Caws (review)
  2. Tim Conley
  3. pp. 218-221
  4. DOI: https://doi.org/10.1353/crc.2015.0015
  5. restricted access
  1. Music’s Obedient Daughter ed. by Sabine Lichtenstein (review)
  2. David Menzies
  3. pp. 221-223
  4. DOI: https://doi.org/10.1353/crc.2015.0016
  5. restricted access
  1. Crossing Canada, 1907: The Diary of Hope Hook ed. by Juliet McMaster, et al. (review)
  2. Kathryn Carter
  3. pp. 223-226
  4. DOI: https://doi.org/10.1353/crc.2015.0018
  5. restricted access
  1. Dramatic License: Translating Theatre from One Official Language to the Other in Canada by Louise Ladouceur (review)
  2. Moira Day
  3. pp. 228-230
  4. DOI: https://doi.org/10.1353/crc.2015.0010
  5. restricted access
  1. The Body of the Postmodernist Narrator: Between Violence and Artistry by Fatima Festić (review)
  2. Leena Kurvet-Käosaar
  3. pp. 231-232
  4. DOI: https://doi.org/10.1353/crc.2015.0012
  5. restricted access