1. Intertextualidad y historiografía: Las citas célebres de las Crónicas de Indias, o el discurso de la historiografía
  2. Marieke Delahaye
  3. pp. 137-155
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  1. The Migrant Vision in Günter Grass’s The Tin Drum
  2. Søren Frank
  3. pp. 156-170
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  1. Per omnia saecula saeculorum” or “Inkaba yakho iphi?”: Indigeneity in Alex La Guma and Aidan Higgins
  2. James Gifford
  3. pp. 171-189
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  1. Of Gorbachev’s Perestroika, Plato’s Noble Lie, the Utopian Tradition, and the Third Sophistic
  2. Nikita Nankov
  3. pp. 190-207
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  1. Recent Work in Caribbean Literature
  2. Amanda Perry
  3. pp. 208-217
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  1. Surprised in Translation by Mary Ann Caws (review)
  2. Tim Conley
  3. pp. 218-221
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  1. Music’s Obedient Daughter ed. by Sabine Lichtenstein (review)
  2. David Menzies
  3. pp. 221-223
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  1. Crossing Canada, 1907: The Diary of Hope Hook ed. by Juliet McMaster, et al. (review)
  2. Kathryn Carter
  3. pp. 223-226
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  1. After Representation?: The Holocaust, Literature, and Culture ed. by R. Clifton Spargo, and Robert M. Ehrenreich (review)
  2. Sarah Shewchuk
  3. pp. 226-228
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  1. Dramatic License: Translating Theatre from One Official Language to the Other in Canada by Louise Ladouceur (review)
  2. Moira Day
  3. pp. 228-230
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  1. The Body of the Postmodernist Narrator: Between Violence and Artistry by Fatima Festić (review)
  2. Leena Kurvet-Käosaar
  3. pp. 231-232
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  1. Stieg Larsson’s Millennium Trilogy: Interdisciplinary Approaches to Nordic Noir on Page and Screen ed. by Steven Peacock (review)
  2. Annemette Hejlsted
  3. pp. 233-234
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