1. “Oh, Catfish and Turnip Greens”: Black Oral Traditions in the Poetry of Marilyn Nelson
  2. William Kelley Woolfitt
  3. pp. 231-246
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  1. One Blues Invisible: Civil Rights and Civil Religion in Ralph Ellison’s Second Novel
  2. M. Cooper Harriss
  3. pp. 247-266
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  1. Dubwise into the Future: Versioning Modernity in Nalo Hopkinson
  2. Leif Sorensen
  3. pp. 267-283
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  1. With Names, No Coincidence: Colson Whitehead’s Postracial Puritan Allegory
  2. Christopher Leise
  3. pp. 285-300
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  1. Walking Around the Fences: Troy Maxson and the Ideology of “Going Down Swinging”
  2. David Letzler
  3. pp. 301-312
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  1. Creative Multivalence: Social Engagement beyond Naturalism in Gwendolyn Brooks’s Maud Martha
  2. Megan K. Ahern
  3. pp. 313-326
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  1. The Slave Trade as Memory and History: James A. Emanuel’s “The Middle Passage Blues” and Robert Hayden’s “Middle Passage”
  2. Raphaël Lambert
  3. pp. 327-338
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  1. “A Twentieth-Century Abolitionist”: John Beecher’s Plainspoken Poetry
  2. Christopher G. Diller
  3. pp. 339-356
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  1. LeRoi Jones’s Radio and the Literary “Break” from Ellison to Burroughs
  2. K. C. Harrison
  3. pp. 357-374
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  1. L as Language: Love and Ethics
  2. Cynthia R. Wallace
  3. pp. 375-390
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  1. Under Lynching’s Shadow: Grimké’s Call for Domestic Reconfiguration in Rachel
  2. Anne Mai Yee Jansen
  3. pp. 391-402
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  1. Bob Kaufman and the Limits of Jazz
  2. H. William Rice
  3. pp. 403-415
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  1. The Subterranean Performance of History between Harlem and Rome in William Demby’s The Catacombs
  2. Sara Marzioli
  3. pp. 417-419
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  1. Bedtime Stories
  2. Justin Campbell
  3. pp. 431-434
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  1. Past-life portrait
  2. t’ai freedom ford
  3. pp. 435-436
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  1. Darfur Boy
  2. Alexander Levering Kern
  3. p. 437
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  1. Satchmo, and: Second Linin’
  2. Andrew Pidoux
  3. p. 438
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  1. Oshian
  2. Grant Schubert
  3. pp. 440-443
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  1. Contributors
  2. pp. 445-446
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