1. Garveyism and Its Involutions
  2. Jonathan P. Eburne
  3. pp. 1-19
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  1. Black Nationalist Hokum: George Schuyler’s Transnational Critique
  2. Yogita Goyal
  3. pp. 21-36
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  1. Beautiful White Girlhood?: Daisy Buchanan in Nella Larsen’s Passing
  2. Sinéad Moynihan
  3. pp. 37-49
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  1. The North Star and the Atlantic 1848
  2. Benjamin Fagan
  3. pp. 51-67
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  1. “These things took the shape of mystery”: Incidents in the Life of a Slave Girl as American Romance
  2. Casey Pratt
  3. pp. 69-81
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  1. Sounds of Sympathy: William Wells Brown’s Anti-Slavery Harp, Abolition, and the Culture of Early and Antebellum American Song
  2. Aaron D. McClendon
  3. pp. 83-100
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  1. Van Go’s Pharmakon: “Pharmacology” and Democracy in Percival Everett’s Erasure
  2. Chauncey Ridley
  3. pp. 101-111
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  1. The Transcultural Intertextuality of George Elliott Clarke’s African Canadianité: (African) American Models Shaping George & Rue
  2. Ana María Fraile-Marcos
  3. pp. 113-128
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  1. Haunting the African Diaspora: Responsibility and Remaining in Caryl Phillips’s Crossing the River
  2. Maria Rice Bellamy
  3. pp. 129-144
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  1. Moving In and Stepping Out: Gwendolyn Brooks’s Children at Midcentury
  2. Michelle H. Phillips
  3. pp. 145-160
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  1. White Surveillance of the Black Arts
  2. Erik Nielson
  3. pp. 161-177
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  1. Tar Woman and: From the Hen Your Husband Fetishizes
  2. Ciara Miller
  3. p. 185
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  1. The Back Stairs
  2. Michael Metivier
  3. p. 186
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  1. Bop: 40 Acres & a Mule on Apalachicola National Forest
  2. Yolanda J. Franklin
  3. p. 187
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  1. Blood Guitar
  2. Richard Douglass-Chin
  3. pp. 189-192
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  1. Resistance and: Lincoln Pietà and: Return
  2. Will Harris
  3. pp. 193-194
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  1. Photograph: Aureola Boulevard, Easter 1963 and: Émigré and: Bout for Jack and a West Indian Immigrant
  2. Lynne Thompson
  3. pp. 195-196
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  1. A Turtle’s Affirmation
  2. Michelle J. Pinkard
  3. p. 197
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  1. A Long Shot
  2. JJ Amaworo Wilson
  3. pp. 199-202
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  1. Breathing Race into the Machine: The Surprising Career of the Spirometer from Plantation to Genetics by Lundy Braun (review)
  2. Amber Jamilla Musser
  3. pp. 203-204
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  1. Making a Promised Land: Harlem in Twentieth-Century Photography and Film by Paula J. Massood (review)
  2. Ellen C. Scott
  3. pp. 204-207
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  1. Pimping Fictions: African American Crime Literature and the Untold Story of Black Pulp Publishing by Justin Gifford (review)
  2. Kinohi Nishikawa
  3. pp. 207-211
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  1. The Worlds of Langston Hughes: Modernism and Translation in the Americas by Vera Kutzinski (review)
  2. John Patrick Leary
  3. pp. 211-215
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  1. Which Sin to Bear?: Authenticity and Compromise in Langston Hughes by David E. Chinitz (review)
  2. Sharon L. Jones
  3. pp. 214-215
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  1. African American Gothic: Screams from Shadowed Places by Maisha L. Wester (review)
  2. Saundra Liggins
  3. pp. 217-219
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  1. Toni Morrison: Writing the Moral Imagination by Valerie Smith (review)
  2. Linda Krumholz
  3. pp. 219-221
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  1. Imperfect Unions: Staging Miscegenation in U.S. Drama and Fiction by Diana Rebekkah Paulin (review)
  2. Katharine Nicholson Ings
  3. pp. 222-224
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  1. Activism and the American Novel: Religion and Resistance in Fiction by Women of Color by Channette Romero (review)
  2. Peter Kerry Powers
  3. pp. 224-226
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  1. Richard Wright: A Documented Chronology, 1908–1960 by Toru Kiuchi, Yoshinobu Hakutani (review)
  2. Robert J. Butler
  3. pp. 215-217
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  1. Contributors
  2. pp. 227-229
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