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Browse Book and Journal Content on Project MUSE

  Volume 46, Number 1, Spring 2013

Table of Contents

The Playful "i" in Tato Laviera's Poetry: An Arte po├ętica

pp. 1-14 | DOI: 10.1353/mml.2013.0006

"Like a shadow, / I'll ever dwell": The Jailer's Daughter as Ariadne in The Two Noble Kinsmen

pp. 15-26 | DOI: 10.1353/mml.2013.0004

Violating the Black Body: Sexual Violence in Truman Capote's Other Voices, Other Rooms

pp. 27-42 | DOI: 10.1353/mml.2013.0002

The Roaring Boy: Contested Masculinity on the Early Modern Stage

pp. 43-54 | DOI: 10.1353/mml.2013.0000

Learning from Our Mistakes: Difficulty and Insight in the Literature Classroom

pp. 55-69 | DOI: 10.1353/mml.2013.0011

William Ellis, John Williams, and the Role of History in Missionary Nation-Making

pp. 71-91 | DOI: 10.1353/mml.2013.0009

Book Reviews

Liberalism and the Culture of Security: The Nineteenth-Century Rhetoric of Reform by Katherine Henry (review)

pp. 93-96 | DOI: 10.1353/mml.2013.0007

Reading Human Nature: Literary Darwinism in Theory and Practice by Joseph Carroll (review)

pp. 97-100 | DOI: 10.1353/mml.2013.0005

Romances of the White Man's Burden: Race, Empire, and the Plantation in American Literature, 1880-1936 by Jeremy Wells (review)

pp. 101-104 | DOI: 10.1353/mml.2013.0003

Jim Tully: American Writer, Irish Rover, Hollywood Brawler by Paul J. Bauer and Mark Dawidziak, and: Beggars of Life (1924) by Jim Tully, and: Circus Parade (1927) by Jim Tully, and: Shanty Irish (1928) by Jim Tully, and: The Bruiser (1936) by Jim Tully (review)

pp. 105-110 | DOI: 10.1353/mml.2013.0001

Understanding Lorrie Moore by Alison Kelly (review)

pp. 111-114 | DOI: 10.1353/mml.2013.0012

Notes on Contributors

pp. 115-116 | DOI: 10.1353/mml.2013.0010

Minutes of the 2012 Executive Committee Meeting

pp. 117-119 | DOI: 10.1353/mml.2013.0008

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