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In this Issue

Table of Contents

  1. The Playful "i" in Tato Laviera's Poetry: An Arte poética
  2. Nancy Bird-Soto
  3. pp. 1-14
  4. DOI: https://doi.org/10.1353/mml.2013.0006
  5. restricted access
  1. "Like a shadow, / I'll ever dwell": The Jailer's Daughter as Ariadne in The Two Noble Kinsmen
  2. Nichole DeWall
  3. pp. 15-26
  4. DOI: https://doi.org/10.1353/mml.2013.0004
  5. restricted access
  1. Violating the Black Body: Sexual Violence in Truman Capote's Other Voices, Other Rooms
  2. Thomas Fahy
  3. pp. 27-42
  4. DOI: https://doi.org/10.1353/mml.2013.0002
  5. restricted access
  1. The Roaring Boy: Contested Masculinity on the Early Modern Stage
  2. Daniel Gates
  3. pp. 43-54
  4. DOI: https://doi.org/10.1353/mml.2013.0000
  5. restricted access
  1. Learning from Our Mistakes: Difficulty and Insight in the Literature Classroom
  2. Blake Seana Locklin
  3. pp. 55-69
  4. DOI: https://doi.org/10.1353/mml.2013.0011
  5. restricted access
  1. William Ellis, John Williams, and the Role of History in Missionary Nation-Making
  2. Winter Jade Werner
  3. pp. 71-91
  4. DOI: https://doi.org/10.1353/mml.2013.0009
  5. restricted access

Book Reviews

  1. Liberalism and the Culture of Security: The Nineteenth-Century Rhetoric of Reform by Katherine Henry (review)
  2. Jodi Wagner-Angell
  3. pp. 93-96
  4. DOI: https://doi.org/10.1353/mml.2013.0007
  5. restricted access
  1. Reading Human Nature: Literary Darwinism in Theory and Practice by Joseph Carroll (review)
  2. Liberty Kohn
  3. pp. 97-100
  4. DOI: https://doi.org/10.1353/mml.2013.0005
  5. restricted access
  1. Romances of the White Man's Burden: Race, Empire, and the Plantation in American Literature, 1880-1936 by Jeremy Wells (review)
  2. Katherine E. Bishop
  3. pp. 101-104
  4. DOI: https://doi.org/10.1353/mml.2013.0003
  5. restricted access
  1. Jim Tully: American Writer, Irish Rover, Hollywood Brawler by Paul J. Bauer and Mark Dawidziak, and: Beggars of Life (1924) by Jim Tully, and: Circus Parade (1927) by Jim Tully, and: Shanty Irish (1928) by Jim Tully, and: The Bruiser (1936) by Jim Tully (review)
  2. Jeffrey Swenson
  3. pp. 105-110
  4. DOI: https://doi.org/10.1353/mml.2013.0001
  5. restricted access
  1. Understanding Lorrie Moore by Alison Kelly (review)
  2. Elizabeth Lundberg
  3. pp. 111-114
  4. DOI: https://doi.org/10.1353/mml.2013.0012
  5. restricted access
  1. Notes on Contributors
  3. pp. 115-116
  4. DOI: https://doi.org/10.1353/mml.2013.0010
  5. restricted access
  1. Minutes of the 2012 Executive Committee Meeting
  3. pp. 117-119
  4. DOI: https://doi.org/10.1353/mml.2013.0008
  5. restricted access