restricted access   Volume 45, Number 3, Fall 2013

Table of Contents

Special Issue: The Work of Willa Cather: Creation, Design, and Reception

Guest Editor: Andrew Jewell, University of Nebraska-Lincoln


pp. 324-327

I. Creation and Collaboration

The Standard Oil Treatment: Willa Cather, The Life of Mary Baker G. Eddy, and Early Twentieth Century Collaborative Authorship

pp. 328-348

The Transatlantic Virtual Salon: Cather and the British

pp. 349-368

“As the result of many solicitations”: Ferris Greenslet, Houghton Mifflin, and Cather’s Career

pp. 369-386

“Dear Alfred”/“Dear Miss Cather”: Willa Cather and Alfred Knopf, 1920–1947

pp. 387-407

Willa Cather, Edith Lewis, and Collaboration: The Southwestern Novels of the 1920s and Beyond

pp. 408-441

Cather’s Editorial Shaping of Sapphira and the Slave Girl

pp. 442-459

II. Design and Marketing

Possession and Publication: Willa Cather’s Struggle to Save My Ántonia

pp. 460-475

Canonical in the 1930s: Willa Cather’s Death Comes for the Archbishop in the Modern Library Series

pp. 476-499

Material Memory: Willa Cather, “My First Novels (there were two),” and The Colophon: A Book Collector’s Quarterly

pp. 500-518

Speaking Volumes: Embodying Cather’s Works

pp. 519-537

III. International Reception

Slowly, but Surely: Willa Cather’s Reception in France

pp. 538-558

The Making of “Die Tochter der Prärie [Daughter of the Prairie]”: Willa Cather’s Fictions in Germany, 1926–1952

pp. 559-579

Notes on Contributors

pp. 580-582