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  Volume 45, Number 4, Winter 2013

Table of Contents


Late Modern Rigmarole: Boredom as Form in Samuel Beckett’s Trilogy

pp. 583-602

Ontology and Narrative Technique in Kazuo Ishiguro’s The Unconsoled

pp. 603-619

Textual Unreliability, Trauma, and the Fantastic in Chuck Palahniuk’s Lullaby

pp. 620-637

Space, Aesthetic Power, and True Falsity in The Known World

pp. 638-654

Abandoned Creatures: Creaturely Life and the Novel Form in J. M. Coetzee’s Slow Man

pp. 655-674

The New Revenge Novel

pp. 675-692


The Existence of Other People: Byatt, Manning, and Murdoch

pp. 693-701


Are We There Yet? Virtual Tourism and Victorian Realism by Alison Byerly (review)

pp. 704-705

Vietnam and Beyond: Tim O’Brien and the Power of Storytelling by Stefania Ciocia (review)

pp. 705-707

The Novel and the Sea by Margaret Cohen (review)

pp. 707-709

Thomas Pynchon and the Dark Passages of History by David Cowart (review)

pp. 709-711

Harriet Martineau: Authorship, Society and Empire ed. by Ella Dzelzainis, Cora Kaplan (review)

pp. 711-713

The Female Romantics: Nineteenth-century Women Novelists and Byronism by Caroline Franklin (review)

pp. 714-715

Dying for Time: Proust, Woolf, Nabokov by Martin Hägglund (review)

pp. 716-718

Tiananmen Fictions Outside the Square: The Chinese Literary Diaspora and the Politics of Global Culture by Belinda Kong (review)

pp. 718-720

Narrative Middles: Navigating the Nineteenth-Century British Novel ed. by Caroline Levine, Mario Ortiz-Robles (review)

pp. 720-721

Geopolitics and the Anglophone Novel, 1890–2011 by John Marx (review)

pp. 722-723

The Dispossessed State: Narratives of Ownership in 19th-Century Britain and Ireland by Sara L. Maurer (review)

pp. 723-724

Truman Capote and the Legacy of In Cold Blood by Ralph F. Voss (review)

pp. 725-726

Index to Volume 45

pp. 727-734

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