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Table of Contents

  1. Step (Not) Beyond
  2. Marc Froment-Meurice, Suzanne Gauch, Jan Plug
  3. pp. 5-18
  4. DOI: https://doi.org/10.1353/esp.1995.0013
  5. restricted access
  1. The Dissolution of the Beautiful: Hegel’s Theory of Drama
  2. Christoph Menke, Diana George
  3. pp. 19-36
  4. DOI: https://doi.org/10.1353/esp.1995.0022
  5. restricted access
  1. L’art de la vérité
  2. Françoise Proust
  3. pp. 37-52
  4. DOI: https://doi.org/10.1353/esp.1995.0031
  5. restricted access
  1. Entkunstung
  2. Alexander García Düttmann, Stephen Gingerich
  3. pp. 53-65
  4. DOI: https://doi.org/10.1353/esp.1995.0040
  5. restricted access
  1. Aesthetic Totality and Ethical Infinity: Levinas on Art
  2. Jill Robbins
  3. pp. 66-79
  4. DOI: https://doi.org/10.1353/esp.1995.0049
  5. restricted access
  1. Between Ethics and Aesthetics
  2. Christopher Fynsk
  3. pp. 80-87
  4. DOI: https://doi.org/10.1353/esp.1995.0001
  5. restricted access
  1. Thinking Art: Beyond Traditional Aesthetics ed. by Andrew Benjamin, Peter Osborne (review)
  2. Tina Chanter
  3. pp. 90-91
  4. DOI: https://doi.org/10.1353/esp.1995.0018
  5. restricted access
  1. Inventions of Difference. On Jacques Derrida by Rodolphe Gasché (review)
  2. Herman Rapaport
  3. pp. 92-93
  4. DOI: https://doi.org/10.1353/esp.1995.0036
  5. restricted access
  1. Allusion: A Literary Graft by Allan H. Pasco (review)
  2. Laurence M. Porter
  3. pp. 93-94
  4. DOI: https://doi.org/10.1353/esp.1995.0045
  5. restricted access
  1. The Prospects of Aesthetics: Guest Editor’s Preface
  2. Rodolphe Gasché
  3. pp. 3-4
  4. DOI: https://doi.org/10.1353/esp.1995.0004
  5. restricted access
  1. René Girard and Myth: An Introduction by Richard J. Golsan (review)
  2. Jacques-Jude Lépine
  3. pp. 94-95
  4. DOI: https://doi.org/10.1353/esp.1995.0054
  5. restricted access