1. The Past and the Passing of Death in French Cinema
  2. Dudley Andrew
  3. pp. 7-17
  4. DOI: 10.1353/esp.1995.0015
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  1. Death of a Hero, Birth of a Cinema or Who or What is A bout de souffle?
  2. Trista Selous
  3. pp. 18-27
  4. DOI: 10.1353/esp.1995.0024
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  1. Dying with Love in Balzac’s La Vieille Fille
  2. Allan H. Pasco
  3. pp. 28-37
  4. DOI: 10.1353/esp.1995.0033
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  1. George Sand and the Genealogy of Terror
  2. Anne E. McCall
  3. pp. 38-48
  4. DOI: 10.1353/esp.1995.0042
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  1. Textual Matters of Life and Death or Gautier’s “As You Like It”
  2. Constance Gosselin Schick
  3. pp. 49-58
  4. DOI: 10.1353/esp.1995.0051
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  1. The Elegiac Temptation in Char’s Poetry
  2. Van Kelly
  3. pp. 59-70
  4. DOI: 10.1353/esp.1995.0003
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  1. The Landscape of Death in Octave Mirbeau
  2. Robert Ziegler
  3. pp. 71-82
  4. DOI: 10.1353/esp.1995.0011
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  1. Death-Based Subjectivity in the Creation of Nerval’s Lyric Self
  2. Jonathan Strauss
  3. pp. 83-94
  4. DOI: 10.1353/esp.1995.0020
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  1. Thèmes, thématologie ou la mort de la littérature
  2. Michael Issacharoff
  3. pp. 95-103
  4. DOI: 10.1353/esp.1995.0029
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  1. AIDS and Death
  2. Arnold Saxton
  3. pp. 104-106
  4. DOI: 10.1353/esp.1995.0038
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  1. La Mort difficile by Ouvrage collectif. (review)
  2. James Winchell
  3. pp. 107-108
  4. DOI: 10.1353/esp.1995.0047
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  1. Essays on the Pleasures of Death: From Freud to Lacan by Ellie Ragland (review)
  2. Doris Y. Kadish
  3. pp. 108-109
  4. DOI: 10.1353/esp.1995.0056
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  1. Index, Volume XXXV (1995)
  2. pp. 110-111
  3. DOI: 10.1353/esp.1995.0057
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  1. Introduction
  2. Lieve Spaas
  3. pp. 3-6
  4. DOI: 10.1353/esp.1995.0006
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