1. LMJ 23: Sound Art
  2. Nicolas Collins
  3. pp. 1-2
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  1. A Music out of Doors
  2. Llorenç Barber, Rafael Liñan
  3. pp. 3-5
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  1. The Intimate and the Immersive in Grids: Multichannel Sound Installations
  2. Peter Batchelor
  3. pp. 6-7
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  1. Three Environments
  2. Marc Berghaus
  3. pp. 7-8
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  1. Plasticities and Ghosts: Relationships between Stimulus and Memory in Noisy Networks
  2. Jane Grant, John Matthias
  3. pp. 9-10
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  1. Solar Work #2: A Solar-Powered Sound Artwork
  2. Mike Blow
  3. pp. 10-11
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  1. Making Sculptures Audible through Participatory Sound Design
  2. Florian Grond, Adriana Olmos, Jeremy R. Cooperstock
  3. pp. 12-13
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  1. Presentness in Displaced Sound
  2. Yolande Harris
  3. pp. 13-14
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  1. Mobile Sound and Locative Practice
  2. Jessica Thompson
  3. pp. 14-15
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  1. Radioscape: Into Electromagnetic Space
  2. Edwin van der Heide
  3. pp. 15-16
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  1. Listening to Locative Narratives: Illusion and the Imaginative Experience
  2. Emma Whittaker
  3. pp. 17-18
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  1. Sound Resources: Environmental Installation
  2. Jos Mulder
  3. pp. 18-19
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  1. Musical Phonography: Upending Listening Expectations
  2. Colin Wambsgans
  3. pp. 19-20
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  1. Sound Installation 24/7: Aestheticizing Everyday Sound and Rhythm
  2. Florian Hollerweger
  3. p. 21
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  1. Fragments of Extinction: Acoustic Biodiversity of Primary Rainforest Ecosystems
  2. David Monacchi
  3. pp. 23-25
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  1. Leonardo Reviews
  2. p. 26
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  1. Sounds in Your Pocket: Composing Live Soundscapes with an App
  2. Rob van Rijswijk, Jeroen Strijbos
  3. pp. 27-29
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  1. Leonardo Music Journal Archives Now On-Line!
  2. p. 30
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  1. Move That Sound There: Exploring Sound in Space with a Markerless Gestural Interface
  2. Yuan-Yi Fan, David Minnen
  3. pp. 31-32
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  1. Flexible Audio Speakers for Composition and Art Practice
  2. Jess Rowland
  3. pp. 33-36
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  1. Instruments of Tension: Gramophones, Springs and the Performance of Place
  2. Jay Needham, Eric Leonardson
  3. pp. 37-39
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  1. Rakes, Live Deaths and Modified Cassette Players: Three Contemporary Sound Artists from Colombia
  2. Ricardo Arias
  3. pp. 41-46
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  1. Recomposing the City: A Survey of Recent Sound Art in Belfast
  2. Gascia Ouzounian
  3. pp. 47-54
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  1. (Demolishing) Concrete Music
  2. Simon Polson
  3. pp. 55-57
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  1. From Ear to Site: On Discreet Sound
  2. Daniele Balit
  3. pp. 59-63
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  1. Translating Transformations: Object-Based Sound Installations
  2. Ethan Rose
  3. pp. 65-69
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  1. Dead Silence: Ecological Silencing and Environmentally Engaged Sound Art
  2. Dugal McKinnon
  3. pp. 71-74
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  1. World on a Wire: Sound as Sensual Objects
  2. Chuck Johnson
  3. pp. 75-77
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  1. "Electric Music" on the Victorian Stage: The Forgotten Work of J.B. Schalkenbach
  2. Daniel Wilson
  3. pp. 79-85
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  1. Sound Art Theories Symposium
  2. Lou Mallozzi
  3. p. 87
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  1. On-Line Supplement: Sound Art Theories Symposium
  2. pp. 88-89
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  1. sound—or its absence
  2. Seth Cluett
  3. p. 91
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  1. sound—or its absence
  2. Seth Cluett
  3. p. 92
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  1. Telephone Voice
  2. James Webb
  3. p. 93
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  1. The Circulation of Fluids I
  2. Catherine Béchard, Sabin Hudon
  3. pp. 93-94
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  1. Meanwhile, in Shanghai. . .
  2. Maia Urstad
  3. pp. 94-95
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  1. Sound Piece from Plataforma Sonora/Torre Reloj
  2. Tania Candiani
  3. p. 95
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  1. Automatic
  2. Mendi Obadike, Keith Obadike
  3. pp. 95-96
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  1. Spark, Bubble
  2. Tetsuya Umeda
  3. p. 96
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  1. Espaces injectés
  2. Pascal Broccolichi
  3. pp. 96-97
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  1. The Broken Orchestra Live in Stockholm
  2. Hong-Kai Wang
  3. p. 97
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  1. Archive Tape from the Suffolk Concrete Music Centre 1972
  2. Benedict Drew
  3. pp. 97-98
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  1. Telemarketing Indeterminacy
  2. Nina Katchadourian
  3. p. 98
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  1. 2013 Author Index: Leonardo Volume 46 and Leonardo Music Journal Volume 23
  2. pp. 99-103
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  1. Leonardo Network News
  2. pp. 104-106
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  1. sound—or its absence: Contributors' Notes
  2. Seth Cluett
  3. pp. 93-98
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