restricted access   Volume 47, Number 3 (T 179), Fall 2003

Table of Contents

From: TDR: The Drama Review

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p. 4

TDR Comment

TDR Comment: Bush's Happy Performative

pp. 5-8


Spiritual Survival in the Arctic: Atxam Taligisniikangis of the Aleutian Islands

pp. 9-31

Direct-Current Recall in Madagascar

pp. 32-44

The Consolation of Poetry: A Performance by Barbara Neri

pp. 45-77

Castillo Theatre

Walking the Talk: Castillo Theatre of 2002

pp. 78-98

A Performance Community Onstage and on the Street: Castillo Theatre and Heiner Muller's Germania 3

pp. 99-112

Robert Wilson and Fred Newman: A Dialogue on Politics and Therapy, Stillness and Vaudeville

pp. 113-128

Critical Acts

Marina Abramovic's The House with the Ocean View: The View of the House from Some Drops in the Ocean

pp. 129-136

Yelena Gluzman's I'm So Sorry for Everything

pp. 136-143

Tokyo Tim: A Report from Dokkyo University, January 2003

pp. 143-146


Suzuki Tadashi and the Shizuoka Theatre Company in New York

pp. 147-158

Carya Nrtya of Nepal: When "Becoming the Character" in Asian Performance Is Nonduality in "Quintessence of Void"

pp. 159-182


Imaging Her Erotics: Essays, Interviews, Projects, and: John Kelly (review)

pp. 183-185

Female Spectacle: The Theatrical Roots of Modern Feminism (review)

pp. 186-188

A History of Irish Theatre 1601-2000 (review)

pp. 188-191

Performing History: Theatrical Representations of the Past in Contemporary Theatre (review)

pp. 191-192