1. TDR Comment: Women's Work?
  2. Richard Schechner
  3. pp. 5-7
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  1. Joseph Chaikin: 1935-2003
  2. Richard Schechner
  3. pp. 8-12
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  1. Performance Credits
  2. p. 9
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  1. Directing Credits
  2. pp. 10-11
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  1. Jack Gelber: 1932-2003
  2. Carol Martin
  3. pp. 13-16
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  1. Exiled to Freedom: A Memoir of Censorship in Iran
  2. Mahmood Karimi-Hakak
  3. pp. 17-50
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  1. Make Love: A Performance
  2. Karen Finley
  3. pp. 51-69
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  1. Re: Group/No homeland: A Post-9/11 Intercultural Poltergeist
  2. Guillermo Gómez-Peña, E-mael, Alexis McKee
  3. pp. 70-75
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  1. Facial Insufficiency: Political Street Performance in New York City and the Selective Enforcement of the 1845 Mask Law
  2. L. M. Bogad
  3. pp. 75-84
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  1. Creating High Culture in the Globalized "Cultural Desert" of Singapore
  2. C. J. Wan-ling Wee
  3. pp. 84-97
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  1. Resuscitating the Extinct: The Backbreeding of Historic Animals at U.S. Living History Museums
  2. Scott Magelssen
  3. pp. 98-109
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  1. Rap's Unruly Body: The Postmodern Performance of Black Male Identity On the American Stage
  2. Annette J. Saddik
  3. pp. 110-127
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  1. The Taste of Bread: My Theatrical Experiences in Lebanon
  2. Raif Karam
  3. pp. 128-143
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  1. One Hundred Years of Nakedness in German Performance
  2. Karl Eric Toepfer
  3. pp. 144-188
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  1. Guy Debord, and: Guy Debord and the Situationist International: Texts and Documents (review)
  2. Branislav Jakovljevic
  3. pp. 189-191
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  1. Why Are Artists Poor?: The Exceptional Economy of the Arts (review)
  2. Randy Martin
  3. pp. 192-194
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  1. Agitated States: Performance in the American Theater of Cruelty, and: Staging Consciousness: Theater and the Materialization of Mind (review)
  2. Una Chaudhuri
  3. pp. 194-198
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  1. TDR Volume 47 Index
  2. pp. 199-204
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  1. Chronology of Works
  2. p. 14
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