restricted access   Volume 47, Number 4 (T 180), Winter 2003

Table of Contents

From: TDR: The Drama Review

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TDR Comment: Women's Work?

pp. 5-7

In Memory

Joseph Chaikin: 1935-2003

pp. 8-12

Performance Credits

p. 9

Directing Credits

pp. 10-11

Jack Gelber: 1932-2003

pp. 13-16

Chronology of Works

p. 14


Exiled to Freedom: A Memoir of Censorship in Iran

pp. 17-50

Make Love: A Performance

pp. 51-69

Critical Acts

Re: Group/No homeland: A Post-9/11 Intercultural Poltergeist

pp. 70-75

Facial Insufficiency: Political Street Performance in New York City and the Selective Enforcement of the 1845 Mask Law

pp. 75-84

Creating High Culture in the Globalized "Cultural Desert" of Singapore

pp. 84-97

Resuscitating the Extinct: The Backbreeding of Historic Animals at U.S. Living History Museums

pp. 98-109

Rap's Unruly Body: The Postmodern Performance of Black Male Identity On the American Stage

pp. 110-127

The Taste of Bread: My Theatrical Experiences in Lebanon

pp. 128-143

One Hundred Years of Nakedness in German Performance

pp. 144-188


Guy Debord, and: Guy Debord and the Situationist International: Texts and Documents (review)

pp. 189-191

Why Are Artists Poor?: The Exceptional Economy of the Arts (review)

pp. 192-194

Agitated States: Performance in the American Theater of Cruelty, and: Staging Consciousness: Theater and the Materialization of Mind (review)

pp. 194-198

TDR Volume 47 Index

pp. 199-204