1. From the Editors
  2. Pascale Aebischer, Roberta Barker, Paul Prescott, Kathryn Prince
  3. pp. 331-335
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  1. “If I could see the Puppets Dallying”: Der Bestrafte Brudermord and Hamlet’s Encounters with the Puppets
  2. Tiffany Stern
  3. pp. 337-352
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  1. Acting, Integrity, and Gender in Coriolanus
  2. Kent R. Lehnhof
  3. pp. 353-373
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  1. The Comic Structure of the Globe: History, Direct Address, and the Representation of Laughter in a Reconstructed Playhouse
  2. William Casey Caldwell
  3. pp. 375-403
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  1. The Shakespearean Glass Ceiling: the State of Colorblind Casting in Contemporary British Theatre
  2. Jami Rogers
  3. pp. 405-430
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  1. Where Was He Born? Speak! Tell me!: Julie Taymor’s Tempest, Hawaiian Slavery, and the Birther Controversy
  2. Michael D. Friedman
  3. pp. 431-452
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  1. Interrogating Escapism: Rethinking Kenneth Branagh’s Love’s Labour’s Lost
  2. John R. Severn
  3. pp. 453-483
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  1. Henry VIII, and: Measure for Measure (review)
  2. Terri Bourus
  3. pp. 485-494
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  1. King Richard III (review)
  2. Magdalena Cieślak, Agnieszka Rasmus
  3. pp. 494-499
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  1. Measure for Measure, Ferrara and Measure for Measure, Vienna (review)
  2. Trish Thomas Henley
  3. pp. 499-505
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  1. Coriolanus (review)
  2. Justin B. Hopkins
  3. pp. 505-508
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  1. Richard III, and: The Two Gentlemen of Verona (review)
  2. Peter Kirwan
  3. pp. 508-515
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  1. The Changeling (review)
  2. Kate Lechler
  3. pp. 516-519
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  1. The Winter’s Tale (review)
  2. Christen Madrazo
  3. pp. 519-523
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  1. Hamlet, and: Macbeth (review)
  2. Steve Mentz
  3. pp. 523-529
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  1. Troilus and Cressida (review)
  2. Gretchen E. Minton
  3. pp. 529-535
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  1. Fair Em (review)
  2. Sarah Neville
  3. pp. 535-538
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  1. The Taming of the Shrew, and: Twelfth Night (review)
  2. Emma Poltrack
  3. pp. 539-545
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  1. Titus Andronicus (review)
  2. Stephen Purcell
  3. pp. 545-549
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  1. Julius Caesar (review)
  2. Jami Rogers
  3. pp. 550-553
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  1. Hamlet (review)
  2. Boika Sokolova
  3. pp. 553-558
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  1. Mankind (review)
  2. Elizabeth E. Tavares
  3. pp. 558-562
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  1. The Cambridge Companion to Shakespeare and Contemporary Dramatists ed. by Ton Hoenselaars, and: The Oxford Handbook of Tudor Drama ed. by Thomas Betteridge, Greg Walker (review)
  2. Peter Kirwan
  3. pp. 563-570
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