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In this Issue

Table of Contents

  1. From the editors, present and future
  2. pp. 163-164
  3. DOI: https://doi.org/10.1353/shb.2013.0019
  4. restricted access
  1. The Malcontent and the Hamlet Aftermath
  2. Michael Cordner
  3. pp. 165-190
  4. DOI: https://doi.org/10.1353/shb.2013.0022
  5. restricted access
  1. Bilingual Hamlet: Der Bestrafte Brudermord in the 21st Century
  2. Christine Schmidle
  3. pp. 191-212
  4. DOI: https://doi.org/10.1353/shb.2013.0025
  5. restricted access
  1. Shylock Meets Palestine: Rethinking Shakespeare in Abdelkader Benali’s Yasser
  2. Jessica Apolloni
  3. pp. 213-232
  4. DOI: https://doi.org/10.1353/shb.2013.0028
  5. restricted access
  1. Karma, Revenge, Apocalypse: Ran’s Violent Victim-Agent through Japanese and Western Contexts
  2. Eric Dodson-Robinson
  3. pp. 233-255
  4. DOI: https://doi.org/10.1353/shb.2013.0031
  5. restricted access
  1. The Revenger’s Tragedy (review)
  2. Matthew M. Stokes
  3. pp. 257-267
  4. DOI: https://doi.org/10.1353/shb.2013.0036
  5. restricted access
  1. Romeo and Juliet in Baghdad (review)
  2. Katherine Steele Brokaw
  3. pp. 267-272
  4. DOI: https://doi.org/10.1353/shb.2013.0033
  5. restricted access
  1. Macbeth (review)
  2. Nancy Taylor Porter
  3. pp. 272-276
  4. DOI: https://doi.org/10.1353/shb.2013.0029
  5. restricted access
  1. King Lear (review)
  2. Emma Katherine Atwood
  3. pp. 277-282
  4. DOI: https://doi.org/10.1353/shb.2013.0026
  5. restricted access
  1. King Lear (review)
  2. Alaina Jobe Pangburn
  3. pp. 282-286
  4. DOI: https://doi.org/10.1353/shb.2013.0023
  5. restricted access
  1. The Tragedy of Othello, the Moor of Venice, and: Twelfth Night (review)
  2. Elizabeth E. Tavares
  3. pp. 286-292
  4. DOI: https://doi.org/10.1353/shb.2013.0020
  5. restricted access
  1. Much Ado About Nothing (review)
  2. Justin B. Hopkins
  3. pp. 292-297
  4. DOI: https://doi.org/10.1353/shb.2013.0037
  5. restricted access
  1. Measure for Measure (review)
  2. Douglas E. Green
  3. pp. 297-300
  4. DOI: https://doi.org/10.1353/shb.2013.0034
  5. restricted access
  1. Cymbeline (review)
  2. John Miller
  3. pp. 300-306
  4. DOI: https://doi.org/10.1353/shb.2013.0030
  5. restricted access
  1. Two Gentlemen of Verona (review)
  2. Patricia Wareh
  3. pp. 306-309
  4. DOI: https://doi.org/10.1353/shb.2013.0027
  5. restricted access
  1. Volpone (review)
  2. Steve Mentz
  3. pp. 309-311
  4. DOI: https://doi.org/10.1353/shb.2013.0024
  5. restricted access
  1. The Changeling (review)
  2. Laura Estill
  3. pp. 311-319
  4. DOI: https://doi.org/10.1353/shb.2013.0021
  5. restricted access
  1. Performing Early Modern Drama Today ed. by Pascale Aebischer and Kathryn Prince (review)
  2. Lois Potter
  3. pp. 321-324
  4. DOI: https://doi.org/10.1353/shb.2013.0038
  5. restricted access
  1. Shakespeare au Festival d’Avignon by Florence March (review)
  2. Kathryn Prince
  3. pp. 324-326
  4. DOI: https://doi.org/10.1353/shb.2013.0035
  5. restricted access
  1. Shakespeare in the Nineteenth Century ed. by Gail Marshall (review)
  2. Katherine Scheil
  3. pp. 326-330
  4. DOI: https://doi.org/10.1353/shb.2013.0032
  5. restricted access