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Table of Contents

  1. Christopher Marlowe’s “Unholy Fascination”: Performing Queer Edward II in the 1990s
  2. Angela K. Ahlgren
  3. pp. 5-21
  4. DOI: https://doi.org/10.1353/dtc.2011.0024
  5. restricted access
  1. Fronteras Imaginarias: Theorizing Fronterizidad in the Simulated Illegal Border Crossings of El Alberto, Mexico
  2. Natalie Alvarez
  3. pp. 23-35
  4. DOI: https://doi.org/10.1353/dtc.2011.0017
  5. restricted access
  1. Reconnecting Text to Context: The Ontology of “French Medieval Drama” and the Case of the Istoire de la Destruction de Troie
  2. Lofton L. Durham
  3. pp. 37-60
  4. DOI: https://doi.org/10.1353/dtc.2011.0019
  5. restricted access
  1. For Hecuba or for Hamlet: Rethinking Emotion and Empathy in the Theatre
  2. Amy Cook
  3. pp. 71-87
  4. DOI: https://doi.org/10.1353/dtc.2011.0021
  5. restricted access
  1. Mining the Gap: Physically Integrated Performance and Kinesthetic Empathy
  2. Wanda Strukus
  3. pp. 89-105
  4. DOI: https://doi.org/10.1353/dtc.2011.0022
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  1. Perceptual Dramaturgy: Swimmer (68)
  2. Pil Hansen
  3. pp. 107-124
  4. DOI: https://doi.org/10.1353/dtc.2011.0023
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  1. Minding Bodies: Demons, Masks, Archetypes, and the Limits of Culture
  2. John Emigh
  3. pp. 125-139
  4. DOI: https://doi.org/10.1353/dtc.2011.0025
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  1. Introduction: Journal of Dramatic Theory and Criticism’s Special Section on Cognitive Studies, Theatre, and Performance
  2. Rhonda Blair, John Lutterbie
  3. pp. 63-70
  4. DOI: https://doi.org/10.1353/dtc.2011.0020
  5. restricted access
  1. Books Received
  3. pp. 141-143
  4. DOI: https://doi.org/10.1353/dtc.2011.0018
  5. restricted access